Editorials
Horror’s Hallowed Grounds: ‘American Psycho’!
This weekend we posted the brand new edition of Sean Clark’s Horror’s Hallowed Grounds, where Sean heads to check out the filming locations of Mary Harron’s classic American Psycho! If you click here you can check out pictures from the infamous 2000 film, alongside the locations as they stand now in New York! You’ll find links to all of Clark’s previously articles by clicking here. Read on for American Psycho!

American Psycho
DiCaprio passed after pressure about possibly ruining his teen star status after the mega hit Titanic. Re-enter Mary Harron and her choice for the part of Patrick Bateman, Christian Bale.
The film was shot in 1999 for a budget of 7 million dollars. The film is supposed to take place in New York City in 1987 but was for the most part filming in downtown Toronto Canada.
Our first location is Patrick Bateman’s apartment located on the 11th floor of the fictitious American Gardens Building on West 81st Street in Manhattan.

The immaculate cold white apartment with the stainless steal kitchen was a set built in Toronto Canada. The same goes for Paul Allen’s apartment.

The locations in this film are mostly bars and restaurants, so lets start there.
When Patrick fails to score a reservation at the legendary Dorsia, (the fictitious location we actually never see in the film) he takes his doped-up date to Barcadia instead.



Barcadia is actually the Pacific Rim restaurant Monsoon located at 100 Simcoe Street in downtown Toronto. Sadly the day I visited this location there was a notice of eviction posted on the door stating it had closed down just two days before.

Later, Bateman picks up a model at a hip dance club which is actually the Phoenix Concert Theatre located at 410 Sherbourne Street in Toronto. Upstairs at the Phoenix is the balcony lounge where Bateman and friends talk to the models.

Texarkana the Mexican style restaurant where Bateman meets Paul Allen for diner is actually Montana located at 145 John Street in downtown Toronto.





The restaurant in which Patrick dumps his fiancée, played by Reese Witherspoon at the time of filming was called Shark City until it closed down in 2004. Shark City was located at 117 Eglinton Avenue East in Toronto.

Later, Mr. Bateman takes a not-quite-casual lunch with detective Donald Kimball played by Willem Dafoe. Kimball has some further questions about Bateman’s whereabouts on the night of Paul Allen’s disappearance. They dine at the French restaurant the Savoy located at 253 Victoria Street in downtown Toronto. When I visited this location it was closed for remodeling.



Bateman and the boys lounge around drinking expensive cognac having a good ol’ time until Luis Carruthers played by Matt Ross breaks up the fun by presenting them with his brand new near perfect business card. This was filmed at Le Méridien King Edward Hotel’s Consort Bar located at 37 King Street West in downtown Toronto.

There are a few scenes shot in New York besides some of the basic stock coverage you see in the film from time to time. The corner where Bateman picks up the prostitute he calls Christy was shot in New York’s Meat Packing District.

Another important iconic New York shot is one of Bateman crossing the street in front of the Twin Towers in Manhattan.

After Bateman shoots the woman for disagreeing with his trying to feed the ATM machine a kitten he is first running through the streets on New York City near the Rector Street Station located at the corner of Rector Street and Trinity Place in lower Manhattan.

He then runs around the corner and is in downtown Toronto. This is where the police shoot out took place on Pearl Street between Simcoe and Duncan just around the corner from the previously mentioned Monsoon.




Next Batman heads into to what he thinks is his office building. Once he enters he realizes that he has run into an almost identical building next door to his. This upsets him so he shoots the front desk security guard.










The buildings in reality are the Toronto-Dominion Centre located in the heart of the Central Business District of Toronto, at the southwest corner of King and Bay Streets. The area occupies an entire city block, from King to Bay to Wellington to York Streets, as well as a section to the south of King Street between Wellington and Piper Streets (between Bay and York Streets). Another unique thing about this location is that its architect Ludwig Mies Van der Rohe also built the nearly-identical Seagram Building in Manhattan which makes this Toronto location the perfect stand-in for New York City.
These two buildings are by far my favorite locations from the film because they rare exactly as they appear in the film both physically and geographically. Once he shoots the janitor he exits the first building and runs across the courtyard into the correct building.






Bateman heads up the elevator and to his office that we see several times in the film. The office was a set built in a studio in Toronto.

Lastly we end where the film ends, Harry’s Bar. This is where Patrick confesses to his lawyer. In reality this upper crust bar is called Biff’s located at 4 Front Street East in downtown Toronto. Sadly it was closed when I got there but as you can see from the pictures below the front door is right behind Bateman with it’s very recognizable window above it.


Well I hope you enjoyed this look inside the decadent world of Patrick Bateman. I’m off to return some videotapes. – Sean Clark

Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!

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