Movies
John Carpenter to Produce ‘The Hell Within’
Off the heels of the premiere of The Ward, and the announcement he’ll direct an adaptation of Darkchylde, horror legend John Carpenter has boarded Brazilian helmer Dennison Ramalho’s horror pic The Hell Within as an exec producer. The story, which is penned by Jeff Buhler (The Midnight Meat Train, Insanitarium), tells the story of a woman who goes on a quest into the heart of a Brazilian jungle to save a girl, only to discover that the girl was bait. Barry Films will produce the pic, based on Ramalho’s original idea, together with Storm King Productions’ Sandy King. The project is structured as a Brazilian-German co-production and is set to lense in the Amazon jungle in Brazil.
Released by Eli Roth’s label The Horror Section last year, Joe Begos (VFW, Christmas Bloody Christmas) horror movie Jimmy and Stiggs is getting an official spinoff movie.
Sebastián De Caro has acquired the Argentine spin-off rights to Jimmy and Stiggs from The Horror Section, and his spinoff movie will follow new characters in Argentina.
The title? Burger Night: Luli, Magda & Lore. Eli Roth and Joe Begos will Executive Produce the film, which centers on the same alien threat from Jimmy and Stiggs.
Variety reports this afternoon that the film will feature an all-female cast.
Agostina Palazzolo (“Ciclón), Agustina “Papry” Suásquita (Netflix’s “Envious”) and Maia Tarcic (“Letters to My Ex”) will star in Burger Night: Luli, Magda & Lore.
“I am thrilled with the cast — these are women of extraordinary talent, true cinema lovers, brave and wild. They are going to surprise everyone. Each one understands her character perfectly and they all fell in love with the original material,” Sebastián De Caro said.
In Jimmy and Stiggs…
A perfect storm of lousy news sees out-of-work filmmaker Jimmy spiral into a bender, during which he claims to have been abducted by aliens. Fearing their return, he contacts his old friend Stiggs to help him gear up for war. Begos stars alongside Matt Mercer (Contracted), practical alien puppets, and a whole lot of gore captured on 16mm film.
Daniel Kurland wrote in his review, “The world needs more playful, gonzo small-scale-yet-apocalyptic horror films like Jimmy and Stiggs. It’s a movie that has constant tricks on display and perpetually sprays blood in the audience’s face, but there’s an earnest center to it all.”
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