Quantcast
Connect with us

Home Video

Blu-Ray Review: ‘Damned By Dawn’

Published

on

Sometimes I’m really baffled by the quotes on DVD cases. I mean, it’s one thing to say a movie is great when I think otherwise, but then there’s stuff that truly confounds me, like the one on the cover of Damned By Dawn: “Sick of waiting for Evil Dead 4? Check out Damned by Dawn.” Look, Damned is not a bad movie by any means, but that’s sort of like saying Analyze That could be considered the 4th Godfather film. They have similar subject matter, but the tone is completely different, and I think if you go in expecting ED-style horror/comedy you’re bound to be disappointed. Read on for the review!
For one thing, Damned is a fairly humorless movie. There’s some dry silliness concerning the family’s lack of culinary skills (the father stirs coffee with his finger, the sister’s cooking is so bad that they send out our heroine’s boyfriend for pizza), but otherwise it’s more like a Hammer film, where it’s all about the atmosphere and fog machines going haywire. Even the occasional gore doesn’t seem very splattery or over-the top, it’s just what you’d expect from the wound being given.

And that’s a shame, because there are some scenes here that would have benefited greatly from Sam Raimi’s crazed touch and humorous performances. Late in the film, our heroine and one of the other survivors (not for long!) are attempting to drive away from the house where most of the action takes place, only to be swarmed by flying skeleton ghost things. When the ghosts are hit, they turn into mud that splatters all over the point of impact (i.e. the windshield), which of course limits their visibility. It’s a cool scene, but its played for scares, which is slightly problematic since the CGI is a bit underwhelming. Had it been played for laughs the CG wouldn’t have been an issue.

But it’s not a bad flick. I dug the old-school approach mixed with the new “toys”, such as CGI and (LOTS of) color correction – the final shot is the only one where we see someone with natural color. Everything else has been given a dreary and cold blue feel, which works perfectly (it’s almost jarring to see the non-colored shots in the behind the scenes). And the Banshee is a monster that doesn’t get enough cinematic love, if you ask me.

Also, it does take a while to get going (first kill is around the 30 minute mark), but it’s pretty non-stop from there, as our characters are constantly being besieged by one thing or another. Plus, the action often takes place in two locales (folks are always finding an excuse to go outside while something’s going down inside), so it helps keep up the frenetic pace without becoming repetitive. And there’s variety! Cockroaches, skele-ghosts, the banshee herself, even a random zombie of sorts all make things tough on our heroes. The low budget may be apparent, but so is the ambition, and that is to be commended.

Even if you didn’t like the movie you should give the making of a look, because it’s a pretty comprehensive and entertaining look at how they pulled off what they did considering their meager resources, with lots of funny anecdotes and revelations (one might want to go back and re-watch any scenes with the father running through the woods). It also offers a brief look at some deleted scenes and some of the team’s early (impressive looking) short films, which is nice since the making of is the only video based extra on the disc (besides the trailer) – I wish they had put some of the shorts on the disc as well. The only other supplement is a pair of commentary tracks, one for cast and the other for crew (writer/director/producer Brett Anstey is on both). The crew track repeats some of the information found on the making of, but it’s a non-stop chat fest, with a lot of anecdotal production information and a general sense of camaraderie that I always enjoy.

The video quality is quite good. They didn’t use the best digital camera in the world, but with all of the post production coloring helped (just compare it to the rather soap-opera looking deleted scenes in the making of, which aren’t color corrected), and the codec handles the very dark and muted look of the film quite well. Audio isn’t demo material (though the Banshee’s wails will give your entire setup a nice workout), but sounded crisp and clear, which is good since they strangely provide no subtitle track.

So it’s got a shaky start and carries the weight of some unfortunate comparisons splashed all over its DVD case, but if you can keep your expectations in check you should enjoy the film. It’s well made, fast paced (once it starts) and tackles an under-utilized monster myth, and on a meager budget to boot. I look forward to the next Amazing Krypto Bros. production.

Movie: 6/10
A/V: 7/10
Extras: 7/10
Overall: 6/10

Home Video

Halloween Classic ‘Lady in White’ Now Available on 4K Ultra HD from Vinegar Syndrome

Published

on

Scream Factory brought Frank LaLoggia’s 1988 Halloween movie Lady in White to Blu-ray several years back, and now Vinegar Syndrome gives the film a 4K Ultra HD upgrade.

Vinegar Syndrome’s Lady in White 4K release is available now and shipping now!

Watch the trailer below and grab your copy from Vinegar Syndrome today.

This limited edition 4-disc 4K UHD/Blu-ray x 3 set comes with a spot gloss hard slipcase + slipcover combo (designed by Dylan Haley), includes a 40-page perfect bound book and is limited to 8,000 units. It is only available on their website and at select indie retailers.

The full Special Features package includes…

  • 4-disc Set: 1x 4K Ultra HD (High Bitrate BD100) / 3x Region A Blu-ray
  • 4K UHD presented in Dolby Vision High-Dynamic-Range
  • Newly scanned & restored in 4K from its 35mm original camera negative
  • Presented in three versions: 126-min Pre-Release Director’s Cut (UHD+BD), the 118-min Extended Home Video Cut (BD), and the 113-min Theatrical Cut (BD)
  • New group commentary track with writer/director Frank LaLoggia, alongside actors Lukas Haas, Joelle Jacobi, and Len Cariou for the Pre-Release Director’s Cut
  • New commentary track with Frank LaLoggia, moderated by Scott Neumyer for the Extended Home Video Cut
  • New commentary track with authors Emma Westwood and Stephen A. Russell for the Extended Home Video Cut
  • Archival commentary track with Frank LaLoggia for the Extended Home Video Cut
  • “Learning How to Fly” (10 min) – an interview with actress Karen Powell
  • “A Snapshot in Time” (9 min) – an interview with actress Lisa Taylor
  • “Human Touches” (6 min) – an interview with actress Lucy Lee Flippin
  • “Still Relevant” (16 min) – an interview with actress Rose Weaver
  • “75% Listening, 25% Editing” (9 min) – an interview with editor Steve Mann
  • “Welcome to Willowpoint Falls” (6 min) – a location featurette hosted by Benjamin Scrivens, founder of Fright-Rags
  • “Dream Talking: Looking Back” – a visual group commentary for the Pre-Release Director’s Cut with Frank LaLoggia, and actors Lukas Haas, Joelle Jacobi, and Len Cariou (103 min)
  • Deleted Scenes with introduction and optional commentary by writer/director Frank LaLoggia (36 min)
  • Behind-the-scenes footage with introduction and optional commentary by writer/director Frank LaLoggia (16 min)
  • Extended behind-the-scenes footage (73 min)
  • Introduction from the 20th anniversary dvd release
  • Promotional ‘industry sales’ trailer (7 min)
  • 40-page perfect bound book with essays by film historians Molly Henery, Mark H. Harris, and Heidi Honeycutt (limited edition only)
  • Multiple radio spots
  • Theatrical trailer
  • Multiple TV spots
  • Workprint trailers (7 min)
  • Still gallery
  • Reversible sleeve artwork
  • English SDH subtitles

1962. Nine-year-old Frankie Scarlatti enjoys a homespun childhood in a rustic Western New York town. The entire community gets into the spirit of Halloween, but then two bullies prank Frankie by locking him in his school cloakroom, leaving him trapped for the night. Alone and afraid, his slumber is interrupted when the ghost of a little girl appears, and Frankie witnesses the specter of her murder by an unseen assailant. Later, while recovering at home, the girl’s ghost appears to him again. With help from his older brother, Frankie begins investigating the circumstances of her death. He soon discovers that her murder was one of several unsolved crimes connected to a local child-killer. As the town’s bucolic veneer fades and long-buried secrets and tensions bubble to the surface, all of the clues to the mystery seem to point towards a huge mansion inhabited by a reclusive woman known as “The Lady in White.”

A nostalgia-driven ghost story wrapped within an intricate murder mystery and coming-of-age drama, writer-director-composer Frank LaLoggia’s passion project Lady in White remains one of the most beautiful and original American horror films of the 1980s. Featuring acclaimed actors Alex Rocco (The Godfather), Len Cariou (Executive Decision), and Sydney Lassick (CarrieThe Unseen), it boasts the first starring role by Lukas Haas (Mars AttacksInception) as well as breathtaking photography by Academy Award® winner Russell Carpenter (True LiesThe Lawnmower Man). Vinegar Syndrome is honored to bring this genre masterpiece to 4K UHD, newly restored from its original 35mm camera negative and presented in three versions: its pre-release director’s cut, its extended home-video version, and its original theatrical version, along with an abundance of both new and archival extras.

Paul Lê wrote here on Bloody Disgusting back in 2023, “Over the years, fans have described this film as gateway horror, but they liken it more to The Watcher in the Woods than, say, Hocus Pocus or Casper. There are chilling moments that warrant its PG-13 rating.”

Continue Reading