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Stephen King Dubs ‘Let Me In’ Best Movie of the Year!

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I don’t mean to toot my own horn, but I love being backed up by a legend in the horror world. Back in September I gave the Matt Reeves-directed vampire pic Let Me In a perfect 5 out of 5 skulls here on Bloody Disgusting. In fact, Chris Eggertsen has made commentary on the fact that horror fans didn’t show up to see this masterful work in theaters, including it on his 2010 epic fails in horror list earlier this month. In this coming week’s issue of Entertainment Weekly, horror writer Stephen King reveals his top 10 films of the year proclaiming Let Me In as his #1 pick. In fact, he calls it “the best horror film of the decade.” Are we wrong? Maybe you agree? If you click here you can read 42 user reviews and even chime in with your own. The Hammer/Overture Films remake arrives on DVD and Blu-ray February 1 (more info).

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‘Black Zombie’ – Kino Lorber Picks Up Documentary Exploring Pre-Romero Zombie Cinema

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The buried origins of the cinema zombie will be explored in upcoming documentary Black Zombie, and Deadline reports that Kino Lorber has picked up the doc for U.S. release.

Kino Lorber will release Black Zombie in theaters later this year.

From writer and director Maya Annik Bedward, Black Zombie digs beneath the blood-soaked spectacle of modern horror to uncover the zombie’s buried and unsettling origins.

Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery: not a monster, but the ultimate victim of colonial power.

Deadline further details, “Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, reconsidering iconic films like White Zombie, Night of the Living Dead, and The Serpent and the Rainbow alongside archival footage, vérité scenes, and interviews with cultural historians, artists, and genre legends including Yves-Grégory Francois, Mambo Labelle Déesse, Slash, Tom Savini, and Zandashé Brown. Part cultural reckoning, part horror remix, Black Zombie exposes how a figure born from enslavement, spiritual belief, and resistance was transformed into one of pop culture’s most profitable monsters.”

“I’m thrilled to partner with Kino Lorber on the release of Black Zombie,” said Maya Annik Bedward. “The film explores the power of images to shape our understanding of history, culture, and race, making it especially meaningful to work with a distributor so deeply engaged with cinema’s past and present. Their passion for films that challenge, illuminate, and expand our understanding of the world makes them an ideal partner for bringing this story to audiences across the U.S.”

Kino Lorber’s Karoliina Dwyer adds, “The zombie is one of the most iconic images in cinema, and you’ll never look at them the same after watching Black Zombie. Maya Annik Bedward has crafted a fascinating, deeply researched documentary that unearths the long-buried Haitian origins of the genre, interrogating colonial, political, and Hollywood history to powerful and illuminating effect. We’re so proud to bring this documentary to U.S. audiences this fall.”

Executive producers for the documentary include music legend Slash.

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‘I Walked With a Zombie’ (1943)

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