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Kevin Smith to Trim ‘Red State’ for Theatrical Tour

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Ryan Daley was one of the first ever to catch Kevin Smith’s Red State when it premiered at the Sundance Film Festival. He wasn’t a fan. While not hating the movie, he thought it moved too far away from horror and focused too much attention on hefty dialogue. Maybe Smith agrees?

During a podcast interview with the Kevin and Josh Movie Show, Smith revealed he plans on removing nearly 10 minutes of footage before taking it on the road March 5. You’ll find a taste of the interview inside.
Excerpt from interview:

The movie that I showed the cast and crew screening at wrap, two days after we wrapped, I showed them the whole movie, that’s the movie I pretty much showed at Sundance with end credits attached to it… I loved the movie, we knew what we were doing in terms of editing it, it was a beautiful running time and stuff… and then we go to Sundance and I sit in the back and for the first time I get to watch it with 1200 people who have no involvement with the movie, no involvement with me…

So I’m sitting there going “Okay, there’s something I thought would work, didn’t play with the audience”, “Something I thought would get a nice reaction just kinda laid there”, “Boy, that played way bigger than I ever thought it would, maybe we should shape something around there” and just found some time to take out… if I had to guess I’m saying five to ten minutes somewhere in there.

And John [Gordon, producer] fought me on it. John was just like “Why bother dude, we’re our own bosses, nobody’s telling you to take it out”, like back in the old days Harvey would be “I love it! Take ten minutes out,” no direction at all, just take the time out, so John’s like “We don’t have to do that now, we don’t have to really cut the movie at all” and I said “Yeah, but I’m a filmmaker first and foremost, dude, and I want the movie to play as gangbusters as possible” and if the length of Parks’ speech is making anybody remotely go “Maybe that speech is a little long”… I want them to love Parks as much as I do, so for me, right, I’m an editor, you kill your babies every step of the way as an editor.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Trim Season’ Unrated Trailer – Acclaimed Movie Takes a Nightmarish Trip to a Marijuana Farm

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A job at a marijuana farm turns nightmarish in director Ariel Vida’s Trim Season, and Blue Harbor Entertainment has released the trailer just in time for 4/20 this weekend.

Trim Season will open in theaters and on demand June 7, 2024.

Directed by award-winning filmmaker and production designer Ariel Vida, Trim Season stars Bethlehem Million (Sick, “And Just Like That…”) as Emma, an adrift, jobless, 20-something seeking purpose. Along with a group of young people from Los Angeles, she drives up the coast to make quick cash trimming marijuana on a secluded farm in Northern California.

“Cut off from the rest of the world, they soon realize that Mona (Jane Badler) – the seemingly amiable owner of the estate – is harboring secrets darker than any of them could imagine. It becomes a race against time for Emma and her friends to escape the dense woods with their lives.”

The cast also includes “Scream” and Hell Fest‘s Bex Taylor-KlausStarry Eyes, “Midnight Mass” and Doctor Sleep‘s Alex EssoeAlly Ioannides (Synchronic), Cory Hart (“Fear the Walking Dead”), Ryan Donowho, Marc Senter and Juliette Kenn De Balinthazy.

Michelle Swope wrote in her review that Trim Season is “a suspenseful, uniquely crafted story highlighting pain and sacrifice that should spark some powerful conversation around women and gender. Mesmerizing performances, an innovative story, beautiful stylistic choices, and a little bit of witchy weed make Trim Season a must-see horror film.”

Aaron B. Koontz of Paper Street Pictures and Sean E. DeMott of Execution Style Entertainment produced. Paul Holbrook of Hlbrk Ent. produces in addition to Badler on behalf of MeJane Productions. Leal Naim executive produces while Cameron Burns co-produces.

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