Movies
SXSW ’11: Internal Conflict Realized in Opening Scene From ‘The Divide’
“To survive the end of the world…you must first survive each other…”
Frontier(s) director Xavier Gens’ end of the world thriller The Divide is set to have its world premiere this coming weekend as the SXSW Film Festival in Austin, Texas. While a trailer was released late last year, this morning our friends at Twitch scored the opening scene from the post-apocalyptic thriller starring Michael Biehn, Milo Ventimiglia, Rosanna Arquette, Courtney B. Vance, and LaurenGerman.
“When a cataclysmic explosion devastates New York, eight strangers take refuge in the basement of their apartment building, a converted fallout shelter designed by their paranoid superintendent Mickey. With just three connecting rooms it’s barely big enough, but with stockpiles of food and water, the group are at least safe from the horrors outside, and they settle in and attempt to fathom the catastrophe that has ended the lives of so many of their loved ones.”
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Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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