Movies
Universal Loses on ‘Dark Tower’ Quick Draw?
Did Universal bite off more than they could chew? Did they take on a project too big for their bridges? Are they gonna lose their hat, or will the bullet go right into the middle of their forehead?
Uni’s Dark Tower movie trilogy and interlocking TV series, seen as a hugely ambitious project from the start, may wind up being too big for the studio’s appetite, writes Variety.
Sources tell Variety that in the past few days, the project, based on Stephen King’s sweeping seven-book-and-counting series, has run into budgetary complications that have caused Universal execs to rethink original plans. Insiders expect U brass to meet in coming days to decide whether to put the project into turnaround, whereby producer Imagine Entertainment could shop it to another studio, either to partner with Universal or take over entirely.
YIKES.
Although, to be clear, sources tell Variety that as of Thursday, Universal is moving ahead as if the project is going forward. Full story inside.
Via Variety:
Ron Howard unveiled plans in September to adapt “The Dark Tower” for three films — at least the first of which he plans to direct — bridged by a pair of TV series. Universal soon came on as a distributor, given Imagine’s production deal with the studio; NBC (or an affiliated cable net) was expected carry the TV component.
Javier Bardem’s deal to play the lead role of Roland Deschain is nearly closed, while Howard is still eyeing thesps for other roles. Howard and Brian Grazer are producing through Imagine, while Akiva Goldsman is set to write the script.
With a project of this size and scope, it wouldn’t be unusual for any studio to weigh its risk-sharing options — or pulling out — at this stage of development. And “Dark Tower” isn’t the only major project that Universal has recently reconsidered. “At the Mountains of Madness,” which had Guillermo del Toro set to direct and Tom Cruise circling to star, was scrapped on the brink of lensing after U calculated that it would struggle to make money with its $150 million budget and R rating.
That project went into hibernation in March, not long after the newly minted NBCUniversal CEO Steve Burke was in Universal City for meetings with NBC and Universal Pictures brass.
King’s “Dark Tower” epic has been long pursued for screen adaptation, but the series’ length and scope — rooted in a post-Apocalyptic realm resembling the Old West as well a parallel modern-day world — has been a tough nut to crack for scripting and production planning. Before Imagine announced its adaptation plans, J.J. Abrams and “Lost” co-creator exec producer Damon Lindelof had optioned rights from King for $19 (a key number in the “Tower” universe). But they weren’t able to find a take on the material that satisfied their ambitions.
Nonetheless, the Imagine team and U felt confident they had a workable vision. In announcing their plans for “Dark Tower,” companies set a May 17, 2013 target date for release of the first film.
A contemporary reimagining of H.P. Lovecraft’s short story Herbert West: Reanimator is on the way, and Deadline has unveiled the first look at the new Herbert West and the pathologist drawn to his orbit.
Adam Simon (The Haunting in Connecticut, “Salem”) and Tim Metcalfe (The Haunting in Connecticut, Kalifornia) penned the script. The original screenplay and storyline come from Jade Sandberg Wallace.
Michael Grossman (“The Originals”, “Pretty Little Liars”) directs.
The new images introduce star Joseph Morgan (“Vampire Diaries“), who plays “brilliant surgeon and scientist Herbert West, who is obsessed with creating a serum to reanimate the dead.” Katie Cassidy (Speed Demon) stars opposite as the pathologist with a troubled past who joins his efforts.
Together, they prove that conquering death may be the ultimate sin against life itself.
The film’s official synopsis: “As a child, Herbert West watches his father Peter reanimate his dead mother Judith in a secret basement lab — only for Judith to mortally wound Peter and nearly kill Herbert before Peter shoots her. The trauma leaves its mark on Herbert, but so does one final image: his mother’s finger, twitching after death. Thirty years later, Herbert West is a brilliant, secretive surgeon still chasing his father’s obsession.
“Pathologist Kate Locke arrives in town and is drawn into his orbit — first through a spark at a hospital fundraiser, then through his secret lab, where he reveals a serum capable of reanimating severed tissue. Kate, hiding a dark past of her own, is thrilled rather than horrified, and moves into West’s mansion to work alongside him. Their early experiments on a cadaver succeed only briefly. West concludes that dead tissue is the problem — they need something fresher.”
Supporting cast includes Scott Aiello, Ira J Amyx, Randall Newsome, Emma Reinagal, James D. Bryce, Kathryn A Bentley, Jack Lancaster, Amy Holland Pennell, John Pierson, Mindy Shaw, Eric Dean White, Tristan Wilder Hallet, Adrienne Lamping, Aaron Crippen, and Drew Patterson.
Makeup artist Jeff Lewis (“Star Trek: Voyager,” “Star Trek: Enterprise”) and cousin Roger Lewis are heading the production via their newly established Woodlake Entertainment.
Lovecraft’s short story, first serialized in Home Brew magazine in 1922, is the first among his works to mention the fictional Miskatonic University. It was most famously adapted into a 1985 horror movie from Stuart Gordon, starring Jeffrey Combs as Herbert West.
Herbert West: Reanimator is set in Alton, Illinois, where production is now underway.
Herbert West: Reanimator. Photo credit: Matt Lief Anderson
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