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Keanu Passes On ‘Akira’, Pre-Viz Halted

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Even though he has a strong relationship with Warner Bros. by way of the The Matrix franchise, Keanu Reeves has officially passed on the role of Kaneda in the live-action Akira film, based on the 1988 landmark anime and six-volume manga, reports JoBlo.

The project has been in development hell for years and has had numerous big names circling it – James Franco, Brad Pitt, Joseph Gordon-Levitt to name a few – but none have ultimately signed on to the Albert Hughes helmed sci-fi flick, whose budget has swelled to an estimated $140 million. WB must’ve really been saddened by Keanu passing on the role, because they shut down the pre-viz department and let go most of the staff working on the film afterwards.

They still claim to be in the adaptation business, saying “Production on `Akira’ has not halted or been shut down, as the film has not yet been greenlit and is still very much in the development stage. The exploratory process is crucial to a project of this magnitude, and we will continue to sculpt our approach to making the best possible film.

Regardless of the spin the studio will try to put on this, the facts are these: With word of even more possible rewrites to lower the budget (which soared much higher than WB expected), Akira is going to limp to its death unless an outside studio steps in to co-produce or an A-list actor jumps on board – and fast. They can tinker all they want, but Akira is huge in scope. Unless WB decides to visually represent the physical manifestation of Akira as a storm cloud (I’m looking at you, Rise Of The Silver Surfer) and film it in suburbia, I can’t imagine the film costing less than $100 million.

Woah, in the future I have a career!

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Editorials

Taking a Closer Look at the ‘Christmas Carol’ Ghosts of Ti West’s ‘Ebenezer’

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The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.

Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.

That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.

Here are a couple of stills from the trailer compared to the original artwork:

The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’

The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’

Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’

Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”

And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.

Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.

Ebenezer will be available in theaters starting November 13.

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