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Updated: A Trio Of New Release Dates For 2012

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UPDATED: Earlier today, Todd Farmer posted “Holy cow. That’s alot of emails, FB messages and PMs. Love the excitement but nothing’s changed. We’re still doing both. :)” on his Twitter account. Sounds like Lussier and Farmer are still on board for BOTH Halloween 3D and Hellraiser!

The beginning of 2012 is already crowded with theatrical horror releases (that’s not a bad thing!), and it looks like it just got shook up a bit. Moving from it’s previous February 3 release date, Relativity Media’s House at the End of the Street is now set to bow on April 20.

The Mark Tonderai helmed film, which centers on a teen girl (Jennifer Lawrence) who moves with her mom to a new town and learns that their home is across the street from a house where a double murder took place, will now go head to head with Dimension’s Scary Movie 5. The film has been rumored to be in production of some sort since 2006, after its predecessor took in $41 million opening weekend. It’ll hit theaters April 20, 2012.

Speaking of films stuck in development hell, looks like Dimension is fast-tracking Halloween 3D (again!), with a release date of October 26, 2012. Patrick Lussier and Todd Farmer are currently working on the Hellraiser reboot for the Weinsteins, which means they’re either shifting their focus or a new team is being brought in. Expect the rumors to start flying over the next few days.

Movies

Dev Patel’s ‘Monkey Man’ Is Now Available to Watch at Home!

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monkey man

After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.

You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!

Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.

Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”

“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.

She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”

Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.

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