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Fantastic Fest ’11 Announces First Wave Of Films

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Fantastic Fest, Austin’s genre film festival, has been snatching headlines left and right over the past few years and judging by their initial line-up, looks like they’ll be doing it again. Beyond the Black Rainbow is my most anticipated title in their 2011 slate so far, but there’s a great mix of new and old from around the world including Japan, Belgium, Mexico, Russia, Hong Kong, Korea and the USA as well. There’s two Fulci restorations, a 3D spaghetti western, something that sounds like a Japanese remake of Love Object and a “mondo trasho flick about a yakuza with a machine gun arm and a rocket launcher leg.”

Check past the break for the first twenty films, with a lot more to be announced in the coming weeks. I’m predicting The Wicker Tree and Melancholia to be in the next batch.

Comin’ At Ya! 3D “30th Anniversary” (2011)- Real D Presents
World Premiere
Star Tony Anthony and Producer Tom Stern live in person
Director: Ferdinando Baldi, USA, 118 minutes
The film that kicked off the ’80s 3D Boom returns in a state of the art digital re-imaged restoration. Equal parts western and rollercoaster, COMIN’ AT YA pulls out every stop to entertain you. If the modern wave of 3D were as fun as COMIN’ AT YA! 3D, the motion picture industry would have nothing to worry about. The only Spaghetti Western shot in 3D is now completely restored with the latest in 3D technology and stars Tony Anthony as H.H. Hart, an avenging hero out to retrieve his kidnapped bride, played by Victoria Abril. Gene Quintana plays the slave trader who is holding her hostage in this extremely memorable cult favorite.

Beyond the Black Rainbow (2011)
Regional Premiere
Director: Panos Cosmatos, USA, 110 minutes
A trance inducing, psychedelic head trip from visionary director Panos Cosmatos, BEYOND THE BLACK RAINBOW is a sci-fi dystopia sent with love from the Reagan years. Imagine STALKER meets LOGAN’S RUN.

Body Temperature (2011)
North American Premiere
Director: Takaomi Ogata, Japan, 72 minutes
Takaomi Ogata’s BODY TEMPERATURE chronicle’s a young man’s love affair with a life-sized sex doll. Think LARS AND THE REAL GIRL but with all the creepiness that story was strangely missing.

Borderline (2011)
North American Premiere
Director: Alexnadre Coffre, France, 89 minutes
When David finds a bag in the park, he sees its nefarious contents as the perfect escape from his dead-end life; hopefully without losing it entirely at the hands of the bag’s former owner.

Boys on the Run (2010)
Texas Premiere
Director: Daisuke Miura, Japan, 114 minutes
Based on a manga (surprise), BOYS ON THE RUN’s central courtship starts with a bestiality DVD and ends with a Taxi Driver-style showdown. Guaranteed to warm the heart of the serial masturbator inside all of us.

Bullhead (2011)
US Premiere
Director Michael R. Roskam live in person
Director: Michael R Roskam, Belguim, 129 minutes
Testicular trauma, the underground beef hormone black market, steroid addiction and a vast swath of suppressed emotions swirl together to form one of the most powerful narratives we have seen in recent memory.

El Infierno (2010)- Cine Las Americas presents
Texas Premiere
Director: Luis Estrada, Mexico, 145 minutes
Luis Estrada’s El Infierno (Hell) finds pitch-black dark humor in a peasants rise to power amid the drug-war-torn streets of the Mexican border.

House by the Cemetery (1981)- Blue Underground Presents
Theatrical Premiere of the 2K digitally restored version
Director: Lucio Fulci, Italy, 87 minutes
Lucio Fulci’s classic Italian gore rollercoaster, now presented in a digital restoration from Blue Underground.

Invasion of Alien Bikini (2011)
Texas Premiere
Director: Oh Young-Doo, Korea, 75 minutes
The no-budget bikini-clad alien invasion martial arts romp INVASION OF ALIEN BIKINI was so fun, it took the $25,000 jury prize at this year’s Yubari Fantastic Fest, a sum more than five times the budget of the film.

Kill Me Please (2010)
US Premiere
Director Olias Barco live in person
Director: Olias Barco, Belgium, 96 minutes
From the producers of MAN BITES DOG, KILL ME PLEASE details the day-to-day exploits of one of the world’s foremost assisted suicide clinics. Dark comedy and pathos are as well mixed as Dr. Krueger’s lethal cocktails.

A Lonely Place to Die (2011)
Regional Premiere
Director: Julian Gilbey, UK, 98 minutes
This back-to-basics, no-BS modern take on the survival genre features a violent Russian girl in a cage, gun-toting maniacs, and a cat-and-mouse chase across lawless, rural Scotland.

Milocrorze, A Love Story (2011)
Regional Premiere
Director: Yoshimasa Ishibasha, Japan, 90 minutes
This bizarro musical/variety/samurai/love story from Japan is cinematic LSD from Yoshimasa Ishibashi, the mad genius behind the Fuccon Family, and Takayuki Yamada, who plays all three male leads.

New Kids Turbo (2011)
US Premiere
Dirctors: Steffen Haars and Flip van der Kuil, The Netherlands, 87 minutes
Gutter comedy escalates to ludicrous extremes in the Dutch smash hit that will leave you gasping for air. The mullets are magnificent, as are the moustaches.

Revenge: A Love Story (2011)
US Premiere
Director: Ching-Po Wong, Hong Kong, 91 minutes
Ching-Po Wong’s REVENGE: A LOVE STORY follows a severely wronged man in his quest to avenge a terrible crime. This is a new ultra-violent Hong Kong action, one deeply influenced by the best of Korean revenge films.

Snowtown (2010)
US Premiere
Director: Justin Kurzel, Australia, 120minutes
Justin Kurzel, part of the Australian Film Collective BLUE TONGUE FILMS whose members include Spencer Susser (HESHER) and NASH Edgerton (THE SQUARE), knocks out a stellar debut feature with SNOWTOWN, a dark hypnotic tale of a lower-class youngster who has the misfortune of finding a father figure in John Bunting, Australia’s most notorious serial killer.

The Stoker (2010)
North American Premiere
Director: Alexei Balabanov, Russia, 87 minutes
Genius storyteller and two-time Fantastic Fest veteran, Alexsei Balabanov (CARGO 200, MORPHIA) delivers his unique blend of bloody crime drama by way of the darkest recesses of the Russian human condition.

Underwater Love (2011)
Texas Premiere
Director: Shinji Imaoka, Japan, 87 minutes
The simple life of a fish factory worker gets turned upside-down when she falls in love with a legendary Japanese creature in this kinky, musical romp of a pink film lensed by the legendary Christopher Doyle and directed by Fantastic Fest veteran Shinji Imaoka (UNCLE’S PARADISE).

Versus (2001)
US Premiere
Star Tak Sakaguchi and writer Yudai Yamaguchi live in person
Director: Ryuhei Kitamura, Japan, 119 minutes
The 10th anniversary screening of the yakuza vs. zombies action classic that cracked open Japan’s indie film business like a can of cheap beer.

Yakuza Weapon (2011)
Regional Premiere
Star/co-director Tak Sakaguchi and co-director Yudai Yamaguchi live in person
Directors: Tak Sakaguchi and Yudai Yamaguchi, Japan, 106 minutes
Ten years after starring in VERSUS, former street fighter-turned actor/director Tak Sakaguchi is back with this mondo trasho flick about a yakuza with a machine gun arm and a rocket launcher leg.

Zombie (1979)- Blue Underground Presents
Theatrical Premiere of the 2K digitally restored version
Director: Lucio Fulci, Italy, 92 minutes
Lucio Fulci’s extreme masterpiece of post-Romero corpse mania is back in a gorgeous 2K digital restoration.

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Dev Patel’s ‘Monkey Man’ Is Now Available to Watch at Home!

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monkey man

After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.

You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!

Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.

Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”

“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.

She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”

Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.

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