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WWII Vampires Battle in ‘The Bleeding’

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A pretty interesting cast of characters have come together to develop a World War II vampire movie, The Bleeding, which will be directed by Josef Rusnak (The Thirteenth Floor, It’s Alive, The Contractor).

Jeremy Wall (Jaz Films) optioned the script and is producing along with Corina Danckwerts – who both produced the supernatural thriller The Objective, written and directed by Daniel Myrick (The Blair Witch Project).

The Bleeding is based on a short story by Bram Stoker Award-nominated William R. Trotter entitled “The Bleeding of Hauptmann Gehlen”. John and Paul Buckholts wrote the feature script and will serve as Exec. Producers.

An American spy on assignment in Romania stumbles upon a dark secret that the inhabitants of the region have hidden for centuries. The lesser of two evils is questioned when he infiltrates a small unit of German SS soldiers who encounter a mysterious enemy while fighting partisans in The Carpathian Mountains… vampires.


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Movies

‘Brine’ – Jennifer Holland Starring in Supernatural Civil War Thriller

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Pictured: Jennifer Holland in 'Peacemaker'

Jennifer Holland (“Peacemaker”) and Dave Annable (“Lioness”) will lead the cast of upcoming supernatural Civil War thriller Brine, Deadline reports this afternoon.

B.J. Golnick (“Hunting Hitler”) will be directing Brine.

Brine follows a family of Confederate deserters who escape the Union bombardment of Fort Pulaski with a cache of stolen gold and disappear into the Georgia marshlands.

When they take refuge in a remote plantation house, what first appears to be salvation slowly reveals itself as part of something ancient, predatory and impossible to escape.

Jonah Wharton (Lioness), Sissy Sheridan (Chicken Girls), and Grayson Lay (Outer Banks) also star. The screenplay was written by B.J. Golnick and Jeremy Miller.

Brine is a story about survival, but it is also a story about inheritance…The violence we pass down, the myths we create to justify it, and the cost of trying to break free,” Golnick previews.

“We intend for the film to feel intimate, historically grounded and deeply unnerving, as if the supernatural elements weren’t invented, but unearthed from the marsh itself.”

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