Movies
WIN A ‘The Raid: Redemption’ Poster Signed By Director Gareth Evans!
In select theaters this Friday, March 23 is the ass-kicking new action flick from Sony Pictures and director Gareth Evans, The Raid: Redemption (review), which will easily be one of the most entertaining films you catch this year.
While most of you have yet to catch this brutal and violent genre pic, Bloody has landed (1) signed poster (by Evans) for a lucky reader to enter to win. It’s super easy, too. All you have to do is put THE RAID in the subject header and send your FULL NAME and ADDRESS to submit@bloody-disgusting.com. Then tweet @BDisgusting and @TheRaidUS with the following #TheRaidRedemption EXCITED! Winners must live in the U.S. and will be chosen at random this weekend.
“Rama, a member of a special forces team, arrives at a rundown apartment block with a mission to remove its owner, a notorious drug lord. The building has become a sanctuary to killers, gangs, rapists and thieves seeking accommodation in the one place they know they cannot be touched by the police. When a spotter blows their cover, Rama and his team must fight their way through every floor and every room not just to complete their mission but to survive their bloody ordeal.” 
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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