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Watch An Incredibly Silly & Not-So-Scary Trailer For The 3-D(!) ‘Apartment 1303’!

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BOO!

When’s a ghost not scary? When it’s in daylight, looks “normal” and screams a lot.

The official YouTube channel has shared the below Cannes sales trailer for Apartment 1303 3D, the supernatural remake starring Mischa Barton, Rebecca De Mornay, John Diehl and Julianne Michelle.

In the film, “A love/hate relationship between a mother and daughter turns into a tale of horror when she moves out and into her first apartment. Apartments don’t kill people, people kill people.” The pic is a remake of Ataru Oikawa’s 2007 Japanese supernatural thriller (based on the book of Kei Oishi) of the same name.

The footage looks absolutely horrendous displaying way too much of the (not scary) ghost. And it’s in 3-D, which is comical in its own right. What do you guys think? The above image is pretty spooky, no?

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Movies

‘Heart of the Beast’ – First Images of Brad Pitt in David Ayer’s Survival Thriller

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From director David Ayer (Suicide Squad, Fury), Heart of the Beast will hit theaters on September 25 from Paramount Pictures, and GQ shares first look images this week.

In the film, a former Army Special Forces soldier and his retired combat dog attempt to return to civilization after suffering a catastrophic accident deep in the Alaskan wilderness.

Brad Pitt stars in the survival thriller Heart of the Beast, with J.K. Simmons (Whiplash) and Anna Lambe (“True Detective: Night Country”) also starring.

Cameron Alexander wrote the screenplay for Heart of the Beast. Academy Award winner Mauro Fiore (Avatar, Spider-Man: No Way Home) serves as director of photography.

“I’ll just be really honest: it made me cry,” Ayer tells GQ of the script. “Reading the script, it’s like a tone poem, in a sense. It’s so sparse—just a guy, a dog, mountains, and the calamities and triumphs that unfold, but what’s fascinating about the script is they’re constantly rescuing each other. It’s not like a guy and his pet—they felt like co-equals in this story. Brad wanted to be No. 2 on the call sheet, and rightly so. There was just something profound in the script. It felt like a study in grief, in healing, and of the human heart. So I had to do it.”

Ayer promises, “Don’t worry, the dog lives.”

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