Connect with us

Movies

Drew Goddard Talks About His Work On ‘World War Z’

Published

on

So when Prometheus and “Lost” scribe Damon Lindelof broke a new ending to the Marc Forster-directed Brad Pitt-starrer World War Z, he didn’t actually have time to revise the script. Those duties fell to The Cabin In The Woods co-writer/helmer Drew Goddard (who also adapted the upcoming Steven Spielberg film Robopocalypse). If you weren’t aware of how bad the project’s troubles are, word is that the situation is pretty severe. So much so that it’s not entirely clear if Forster will even be returning for the 3 weeks of re-shoots that are apparently required.

Or maybe it’s not so bad? Goddard recently spoke with Collider and told them, “I think a lot of that got blown out of proportion. It really was like, they asked me to come look at the movie and give ideas on how to help, and that’s what happened. That happens all the time, I don’t know why this got blown up with World War Z and it suddenly became a big thing. It’s the sort of thing that happens with screenwriters all the time where you give your ideas on what could help, you write some scenes for people… I feel bad for the sort of magnifying glass that that movie’s under because this is just a normal part of the process, this is just what happens… My involvement was just watch the movie, give some ideas, write some scenes that might help, ADR, just sort of fill in stuff, which is what I did.

While Goddard’s pretty much a genius, it’s hard to know just how candid he’s being (or is allowed to be). No one who’s just signed onto a project throws it under the bus – that happens later in Peter Biskind books. Still, I’m hoping that his assessment of the situation here is accurate.

No date has been set for the reshoots that will be needed to implement the new ending. The adaptation, starring Brad Pitt, Mireille Enos, Daniella Kertesz, James Badge Dale, Matthew Fox and David Morse, revolves around United Nations employee Gerry Lane (Pitt), who traverses the world in a race against time to stop the Zombie pandemic that is toppling armies and governments and threatening to decimate humanity itself. Enos plays Gerry’s wife Karen Lane; Kertesz is his comrade in arms, Segen. It was slated for release on June 21, 2013.

Movies

‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

Published

on

In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

Continue Reading