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Metallica Encounter Huge ‘Accident’ In Edmonton: All Fake, All REALLY Lame

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Pro-quality footage (courtesy of InvertedMag) of Metallica playing in Edmonton, Alberta, Canada shows the band rocking “Enter Sandman” when, suddenly, one of their stage hands, who was trying to repair a pyro piece on stage, catches fire. Then, scaffolding and lighting begins to fall all around the band and a tech “falls” and “crashes” to the floor. The video can be seen below. But you know what? It was all fake.

According to Blabbermouth, a spokesperson for Metallica’s concert promoter says that this was “…all part of the show.” In fact, Metallica has staged something like this before and it can be seen in the Cunning Stunts DVD.

Okay, let me rattle off my issues with this whole situation. The first issue I have is that it looks incredibly fake. But this is only from certain perspectives. In fact, a YouTube comment on the video states, “I was there the man on fire I knew was staged. I was in the nose bleed section but the crew guy falling looked real from where I was sitting, but from this angle the fall looks controlled.Thecomicbookguy78

So this person thought that part of it was real while at the show. And this is where my second issue comes in.

Did Metallica really think it was a good idea to enact a stage collapse in front of a huge crowd? Really?!?! I don’t know if Metallica realizes that this type of thing has happened at least once or twice before. Smart move there, guys.

All that would need to happen is for one concert-goer to begin freaking out, thinking that it was real, to start a full blown panic. As Agent K said in Men In Black, “A person is smart. People are dumb, panicky, dangerous animals…” If one person started screaming and freaking out, the possible viral reaction could have been catastrophic. Imagine tens of thousands of people trying to run out of an arena at the same time. This is where the word “stampede” comes into play.

Also, if the fact that collapsed stages have happened before with fatal results wasn’t enough of a reason to not pull this kind of stunt, how about the fact that James Hetfield himself was horribly burned in a stage pyro accident. And it was no stunt. He suffered 2nd and 3rd degree burns to his arms and was out of commission for a few months.

So, “setting a guy on fire” while having the stage collapse all around the band… Not so smart guys. Not smart at all.

Overall, this was a dumb prank to pull that served no real purpose. You want to excite the crowd, Metallica? Just play your music and set off a few pillars of flame every now and again. No more, no less.

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

Managing editor/music guy/social media fella of Bloody-Disgusting

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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