Movies
‘Let the Right One In’ Kicks Off Six-Shooter Series…
We learned tis afternoon that Magnet Releasing has finally slated Let the Right One In (Låt den rätte komma in), the horror love story from director Tomas Alfredson, for release in Los Angeles and New York on October 24, followed by a national roll-out. LET THE RIGHT ONE IN is the inaugural release in Magnet’s “Six Shooter Film Series,” a series of six films highlighting the vanguard of genre cinema from around the globe. Five films will follow over the coming months: Nacho Vigalondo’s TIMECRIMES (Spain), Ollie Blackburn’s DONKEY PUNCH (UK), SPECIAL (US), BIG MAN JAPAN (Japan), and EDEN LOG (France). Click here to see art for all six films.
A fragile introverted boy, 12-year-old Oskar (Kåre Hedebrant) is regularly bullied by his stronger classmates but never strikes back. His wish for a friend comes true when he meets Eli (Lina Leandersson), also 12, who moves into the apartment next door with a man who is presumably her father. But coinciding with Eli’s arrival is a series of disappearances and macabre murders—a man is found strung up in a tree, another frozen in the lake, a woman bitten in the neck.
Captivated by the gruesome stories and by Eli’s idiosyncrasies (she is only seen at night, and unaffected by the freezing cold), it doesn’t take long before Oskar figures out that Eli is a vampire. Nevertheless, their friendship strengthens, and a subtle romance blossoms as the youngsters become inseparable. In spite of Oskar’s loyalty to her, Eli knows that she can only continue to live if she keeps on moving. But when Oskar faces his darkest hour, Eli returns to defend him the only way she can…
Based on the best-selling novel by John Ajvide Lindqvist, Swedish filmmaker Tomas Alfredson weaves friendship, rejection and loyalty into a haunting and darkly atmospheric, yet poetic and unexpectedly tender tableau of adolescence.
Produced by the late Roger Corman, the low budget sword and sorcery film Deathstalker was a hit in theaters back in 1983 and went on to become a cult classic through home video and TV airings, and it was followed by three sequels released between 1987 and 1991.
Decades later, Deathstalker will return with a fresh remake, and Variety has shared a first look image from director Steven Kostanski’s (The Void, PG: Psycho Goreman) new movie.
The website notes that the Deathstalker remake is now filming in Canada, with Raven Banner Entertainment launching sales in Cannes. Daniel Bernhardt (John Wick, Nobody, Barry) will star as the titular Deathstalker in what’s being described as “a newly reimagined installment of the cult sword and sorcery series of the same name.”
Written and directed by Kostanski, Bernhardt will portray the barbarian who finds himself cursed by a magical talisman that draws him into conflict with a malevolent wizard and a clan of monstrous assassins.
The original films were produced by Roger Corman throughout the 1980s and capitalized on the popularity of John Milius’ Conan the Barbarian with a similar collision of pulp fantasy and lurid excess. Kostanski’s new vision promises a greater emphasis on exploring the series’ fantasy setting and filling it with monsters that will be largely realized through the director’s signature combination of creature suits, prosthetic FX make-up, and stop-motion animation. These effects are courtesy of the director’s newly minted Action Pants FX shop, which recently completed work on Kostanski’s upcoming horror-comedy Frankie Freako.
“The Deathstalker universe is such a fun sandbox to play in,” said Steven Kostanski, “Every installment has played so fast and loose with its lore, which means that there’s no limit to my imagination when it comes to what I can pit Deathstalker against.”
Deathstalker is being produced by Hangar 18 Media with Pasha Patriki, Avi Federgreen, and Michael Pazst producing, with Executive Producers Andrew Thomas Hunt, James Fler, Josh Viola, and Peter Kuplowsky, alongside Slash and Rodrigo Gudiño of Berserkergang Films, with Associate Producer Scott Weatherall and Co-Producer Melissa A. Smith.
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