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‘Sint,’ ‘The Troll Hunters’ Highlight 2011 Tribeca Film Festival

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The  Tribeca Film Festival (TFF), presented by American Express, today announced its feature film selections in the Spotlight and Cinemania sections, as well as Special Screenings and the Tribeca/ESPN Sports Film Festival lineup. The 10th edition of the Festival will take place from April 20 to May 1 in lower Manhattan.

The fun, playful slate of this year’s Cinemania program represents a well-rounded spectrum of contemporary genre filmmaking, including science fiction, horror, exploitation, and fantasy. Each of these films challenges the expectations and definitions of their respective genres—from Beyond the Black Rainbow’s immersive, futuristically retro sci-fi experience, to an adorable and sexy Japanese “pink” musical in Underwater Love. Always a Cinemania staple, this year’s selection of horror films are also united in a common impulse to tackle genre conventions from inspired new angles, including a clever and revitalizing take on the teens-lost-in-the-woods premise in Rabies, a Dutch Christmas-themed slasher in Saint, and two fresh spins on the very contemporary “found footage” horror movement, between spooky ghost story Grave Encounters and Norwegian monster flick sensation Troll Hunters.  Expect the unexpected with these smart and thrilling crowd-pleasers.CLICK ANY TITLE BELOW FOR IMAGES, POSTERS and TRAILERS (if available)

·         BEYOND THE BLACK RAINBOW, directed and written by Panos Cosmatos. (Canada, Italy) – International Premiere. Panos Cosmatos brings his bold, Kubrickian vision to the screen in stunning detail in this sci-fi fable of a young woman imprisoned in an experimental laboratory facility and the mysterious scientist who is her captor. At once creatively futuristic and hypnotically retro, Beyond the Black Rainbow will absorb viewers in its unique dystopian futurescape.
 
·         THE BLEEDING HOUSE, directed and written by Philip Gelatt. (USA) – World Premiere. Meet the Smiths—a family full of secrets who keep to themselves on a back road outside a small Midwestern town. In this visceral, tightly wound horror/thriller, their lives are shaken when a sweet-talking Texan arrives on their doorstep on a mission for retribution. Will he succeed in his goal to bleed them of their sins, or will the family’s haunted past prove to be even more deadly than he bargained for? A Tribeca Film release.
 
·         GRAVE ENCOUNTERS, directed and written by The Vicious Brothers. (USA) – World Premiere. The crew of ghost-hunting reality TV show Grave Encounters decides to shoot an episode inside an abandoned psychiatric hospital with a dark past. All in the name of good television, they voluntarily lock themselves inside the building for the night to begin a paranormal investigation, capturing everything on camera. They quickly realize that the building is more than just haunted—it is alive, and has no intention of ever letting them go. A Tribeca Film release.
 
·         RABIES (Kalevet), directed and written by Aharon Keshales and Navot Papushado. (Israel) – North American Premiere. A psychotic serial killer on the loose in the woods crosses paths with a group of unsuspecting teenagers. Soon people are dying one by one… but the bad guy isn’t who you think. Turning genre conventions on their head with a smart script and plenty of unexpected scares, Rabies is a surprising debut worthy of its mantle as Israel’s first-ever slasher horror film. In Hebrew with English subtitles.
 
·         SAINT (Sint), directed and written by Dick Maas. (Netherlands) – North American Premiere. An original and delightfully gruesome slasher film, Saint reimagines jolly old Saint Nick as a murderous bishop fulfilling a grisly prophecy under the December 5 full moon. Full of creative yuletide horror, Saint is a fun chiller that follows local teen Frank as he sets out on a bloody, high-energy battle to save Amsterdam from the wrathful “Sinterklaas” and his minions. In Dutch with English subtitles.
 
·         THE TROLL HUNTERS (Trolljegeren), directed and written by André Øvredal. (Norway) – New York Premiere. In the wintry Norwegian countryside, a series of supposed bear poaching incidents leads a group of plucky film students to the mysterious hunter Hans: the one man charged with keeping the country’s entire troll population in check. This genre treat seamlessly blends stunning visual effects with its found footage aesthetic to deliver truly fantastic images of giant trolls wreaking havoc, all with darkly funny adherence to the original folklore. In Norwegian with English subtitles. A Magnet Releasing release.
  
Starting today, the Film guide will be live on www.tribecafilm.com and detail all programs and films announced; additional programs will be added upon announcement. The screening schedule will be live on Monday March 21, 2011.

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‘The Invisible Man 2’ – Elisabeth Moss Says the Sequel Is Closer Than Ever to Happening

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Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.

First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.

Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.

Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.

Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.

“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”

She adds, “We are very much intent on continuing that story.”

At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.

Stay tuned for more on The Invisible Man 2 as we learn it.

[Related] Power Corrupts: Universal Monsters Classic ‘The Invisible Man’ at 90

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