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Review: Alan Moore’s ‘Fashion Beast’ #2

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From the creative mind of Alan Moore comes Antony Johnston’s adaptation Fashion Beast, an incredible spin on Disney’s Beauty and the Beast. It’s as weird, surreal, and bizarre as any Moore story, but most importantly it makes me feel deeply unsettled. Moore is a master of suspense and unease, and “Fashion Beast” highlights those aspects of his writing without going too far over the edge as he has in the past. The book centers around a cross dresser known as Doll who wants nothing more than to be apart of show biz. Doll is able to bear a striking resemblance to any woman, which undoubtedly comes into play. The beast himself, Le Patron, is a fashion designer for his own company, Celestine. Le Patron is hideously disfigured but he is still able to design incredible clothing, at least that’s what I gather. “Fashion Beast” is as dark and twisted as any of Moore’s work from the 80s.

WRITTEN BY: Alan Moore, Malcolm McLaren and Antony Johnston
ART BY: Facundo Percio
PUBLISHER: Avatar
PRICE: 3.99
RELEASE: October 3rd

Issue #2 begins as Doll is fired from her job at the coat-check station, which he left unattended and was subsequently thrown into chaos by another character we’ll call Tomboy; a boy pretending to be a girl pretending to be a boy, confusing I know. After being fired, Doll learns that there are auditions for Celestine models that same night, where any model suited to Le Patron’s tastes, male, female, or in between, will be hired. After a quick audition, Doll is sent back to try on something Le Patron designed himself, and low and behold none other then Tomboy is doing the fittings.

If you’re used to Moore’s work, you’ll be able to appreciate the story’s slow build, but there is no action at all in this issue. Alan Moore is known for his incredible writing skills and command over the medium, and “Fashion Beast” proves that he can make almost anything interesting. I’m not into fashion in any way, shape, or form, but the mysterious nature of the book is engrossing enough to keep me reading. The book, despite being mostly dialogue, doesn’t feel slow at all. I continually found myself being drawn deeper into the pages and constantly wondering when the tension would break. Its uniqueness largely comes from knowing this is an adaptation of Moore’s screenplay, which alone makes it a historical event in my eyes.

“Fashion Beast” has a lot of different themes and motifs going on, pulling on an almost Shakespearean style of storytelling with all the gender bending. There are many references to a deck of Tarot Cards, and though I love when Moore bring magic and divination into his work, it’s unclear as to where this fits in.

Facundo Percio art is absolutely stunning. The detail he puts into the characters gives life to the pages. There are many characters in the story and Percio gives them each an oddity adding to the layers of intrigue. Percio’s paneling is perfect, creating sense of story flow and narrative. This is how comics should be made.

I have to say Beauty and the Beast is one of my favorite Disney creations, and I’m very excited to see Alan Moore’s twisted story come to life. Despite the lack of action so far, “Fashion Beast” will definitely cause a stir in the comic book industry.

4/5 Skulls

Reviewed by -GreenBasterd and Lonmonster

Comics

‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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