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7 Sexed Up Horror Kills!!!

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We all know that sex and violence have been bedfellows in entertainment since the dawn of time. They’ve certainly walked hand in hand since the dawn of cinema, so much so that this list could never hope to be completed in just one outing. In fact, you could probably have an entry on this list for every legit slasher ever made (I even had to make a rule about including only one Friday The 13th film).

While I’m not 100% sure of the science behind what causes the desire to see these two elements combined, I’m guessing it has something to do with both of them being such primal forces. At any rate, it’s here to stay – so why not look at some of the best scenes this unholy combination of elements has to offer?

Head inside for a look at some of the best sex-related kills in horror! Let us know your favorites in the comments!

JASON GOES TO HELL
It’s a shame I limited myself to only one Friday The 13th entry on this list, because this film very well might be he worst in the series. But it’s got one of the best sex kills! Moments after deciding not to use a condom, this couple’s coitus is interrupted mid-straddle by a bad case of being sliced in half.

HALLOWEEN (1978)
Not explicit at all. In fact, more is suggested than it is shown. But Michael Myers offing his older sister after she does the deed cemented the marriage of sex and violence in slasher films forever.

HATCHET 2
I’m not as fond of this film as I am of the original Hatchet, but it does feature one of the all-time great sex kills. A.J. Bowen’s Layton and Alexis Peters’ Avery are going at it deep in the swamp when Victor Crowley sneaks up from behind. Layton might be the only man who can keep going after being decapitated. I guess we know which head he’s really thinking with.

THANKSGIVING
We can only hope that when Eli Roth gets around to making his oft-promised feature version of Thanksgiving that there’s room for Jordan Ladd felating her newly decapitated boyfriend. Headless head should be good for at least one more gag.

BASIC INSTINCT
Not a horror movie. But so what? Very few films have fused sex and an opening kill with such athleticism!

SPECIES
Take your pick of scenes. I haven’t seen this film since its theatrical release but the guy in the raincoat two rows behind me responded well to most of the film’s running time.

CABIN FEVER
Widely referred to as “the fingerbang misfire”, this scene doesn’t result in a direct kill (though the writing is certainly on the wall). But what it lacks in immediacy it makes up in tenderness (and Angelo Badalamenti) I just noticed this is the second time Jordan Ladd made this list in an Eli Roth movie. Their work together is consistent!

BONUS FAIL!!! BONUS FAIL!!! BONUS FAIL!!!

A NIGHTMARE ON ELM STREET 4: THE DREAM MASTER
This may be the worst bait and switch Joey has ever experienced. Still, his last moments involved the girl of his dreams coming to visit him inside his waterbed. Not bad for a young, formerly mute, 80’s bachelor. Actually yes – he didn’t even get to touch her.

TEETH
While Teeth aims to have some kind of empowering message – most of the vagina dentate victims in this deserve their comeuppance – that gets lost in the muddle pretty quickly. Just because there’s a moral at play doesn’t mean that this film doesn’t try to coast by on the erotic exploits it claims to be condemning. Not to say Teeth is a bad movie necessarily, it’s just not right for this category.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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