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[Special Feature] Psychology and Horror: Inside the Mind of a Psychopath… Dissecting ‘The Collection’!

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Written By: Joseph Forsberg

There are currently more than 100 active serial killers in the United States and there is no explanation as to why a normal person could grow up to commit murder and sexual homicide. We see killing and rape as the most severe types of crime; we wonder how someone could find it fun to slit the throat of an unsuspecting victim and sexually assault the body. To a sociopath this is normal behavior; in fact, they find it weird that we do not have a similar impulse. Sociopaths have no conscience, they do not feel pain, they are impulsive, and will do whatever it takes to get themselves off! They are pure evil!

Today I am introducing a new segment to the site called “Psychology and Horror”. Each week I will break down specific serial killers from all of our favorite horror movies and give an in-depth explanation as to why these horror icons commit their crimes. My young friend “Mr. Guts” and I thought of Psychology & Horror when we discussed the reality aspect of horror movies. Are there really people who are as sick as Norman Bates, Mrs. Voorhees, Michael Myers and The Collector? As much as I want to give movie writers all the credit; the fact is that some horror movies are inspired by real life events. One such case would be Alfred Hitchcock’s Psycho which was based on the life of Ed Gein. With that said, the real life story is NEVER as exciting as the movie; it takes a talented writer to take a real life incident and turn it into a classic that will never die! The Collector – from The Collector and The Collection (in theaters November 30) – will be the first killer I take on because of how unique and original he is. The Collector is different from Michael Myers and Jason due to the fact that he is human; he feels pain and can be killed. Arkin was more than able to bring out the human qualities in The Collector in the last 20 minutes of the movie. This movie takes on a realistic view because people like this exist; as a result, people begin to feel themselves get nervous while watching the movie, which has a long lasting affect! A movie where someone goes to hell and then ends up in space some in the following film (Jason X), just does not scream “HOLY SHIT THIS IS REALLY GOING TO HAPPEN!!” I am a Forensic psychology major and I admit I can be a little obsessive when it comes to horror movies.

Next week begins the “fans choice”! Choose from the following movies-Halloween Human Centipede 2 Psycho the original Friday the 13th or The Strangers. Users are also more than welcome to tell me what they would like to see in this segment!

The Collector

(Directed by Marcus Dunstan from a script he co-wrote with Patrick Melton)

The first killer I will discuss is the man known as “The Collector”. He is of course the serial killer in the movie The Collector and will continue his trail of carnage in the much anticipated sequel The Collection. Many people love watching these type of horror movies; they love the suspense, the gore, and they love being scared. The one thing holding these movies back is that most people do not believe this could happen; they love the movies, but believe they are unrealistic. Notice that new horror movies have taken on the “found footage” approach in an attempt to make their movie more realistic, and therefor provide the audience with a true sense of fear. While this new technique has proven to work, let’s take a step back and understand that The Collector represents a true psychopath; he is someone that cannot be reasoned with and someone who will never stop. Can someone like this really exist? Of course; let’s examine the most notorious serial killers in American history, which include Ted Bundy, John Gacy, and BTK. Both Bundy and Gacy sexually assaulted their victims while also dismembering them. BTK stands for Bind Torture Kill and he truly defined horror in the United States. BTK also displayed the most similarities to The Collector; their techniques were similar, but signature and MO were slightly different. So while these “found footage” movies (Paranormal Activity) seem more real, do me a favor and ask your-self one question; when is the last time you have seen a ghost? And then ask yourself the last time you heard about a serial killer or violent murder; I guarantee you will understand what I am saying.

The Collector would be categorized as a disorganized asocial offender; this means he is socially inadequate, but is still able to find a job that allows him to fulfill his fantasies. In this case The Collector was able to put on a fake image and work with the exterminators in the original film; although he did not really talk, his demeanor made him fit in. With this type of personality, the killer is not able to move outside of his comfort zone; he usually stays in the same area, lives alone, and has a secret hiding place. This type of personality is nocturnal and usually finds an external object that matches his personality (the spider/bugs). Although this personality also suggests some organization, no one serial killer can meet every standard within the definition. These crimes are clearly organized which tells us that this is not impulsive behavior and he is truly an unstoppable force. Although The Collector displays some of the characteristics found in an organized nonsocial personality, the majority of his behavior matches that of an asocial offender.

All murders are sexually motivated, and while The Collector did not have sex with his victims, he got off by the amount of power and control he had when torturing these individuals. He gets his power by knowing he can play god; he controls the victim’s pain level and knows he can make them do whatever he wants. Although he sets traps for everyone else, he picks certain individuals and kills them slowly; prolonging the crime gets him off. There is something about these specific individuals; he seems to pick the dominate person (The dad, husband, and Arkin) which allows him to demonstrate his strength and power. This man is not truly insane, but he does display signs of a personality disorder which I will get to later. Based on the information provided to me, I would consider The Collector to be Power/Control Serial Killer.

We are a product of our environment and childhood plays a huge factor in determining the type of person we are going to be. Most serial killers are abused in some kind of way (sexually, physically, verbally) or witness this abuse happening to others. When a child experiences this type of trauma, he is unable to comprehend the severity of the incident and does not recognize it as inappropriate behavior. This results in violent fantasies and prevents the child from having a normal relationship with children his age. Psychodynamic theory explains that childhood trauma leads to violent behavior; while the fantasies of children start out innocent, the isolation from the outside world and the continued abuse causes the fantasies to turn violent. Children begin to mirror their abuse onto others until it becomes difficult to distinguish fantasy from reality. At some point the child needs more than the fantasy; he might choose to kill animals if he is a victim from physical abuse, or molest a young family member if he has been sexually assaulted. In the case of The Collector, he loved the dominance he felt in the fantasies; he loved the control and felt sexual gratification. This is the same type of control he saw his abuser have when the incidents occurred. Psychopath and sociopath are used interchangeably; it is my determination that The Collector is a full functioning psychopath. He is unable to control his urges, no indication of fear or guilt, and fantasizes about murder, dismemberment, and torture. People like him walk among us; No treatment exists!!

About the Author: I am currently going to school for Forensic Psychology; I am finishing up my Bachelor’s Degree and plan on continuing my education until I receive my Doctorate. Although I am still in school, I spend hours a week studying human behavior and psychological profiling; my main focus is on sexual homicide but study all types of murder. I do not currently work in law enforcement or around people suffering from personality disorders; this psychological profile on ‘The Collector’ is based on years of research, school, and books written by retired FBI Profilers. – Joseph Forsberg bloodnguts666.wordpress.com

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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