Movies
[TV] Trailer For STARZ and David Goyer’s “Da Vinci’s Demons”
STARZ has released an all new trailer for its upcoming “Da Vinci’s Demons,” an original series penned by David S. Goyer (Batman Begins, The Dark Knight, Man of Steel) that will air spring 2013.
Starring Tom Riley (“Monroe”), as the title character, “Da Vinci’s Demons” is an historical fantasy, following the ‘untold’ story of the world’s greatest genius during his turbulent youth in Renaissance Florence. Brilliant and passionate, the twenty-five year old Leonardo Da Vinci is an artist, inventor, swordsman, lover, dreamer and idealist. As a free thinker, with intellect and talents that are almost superhuman, he struggles to live within the confines of his own reality and time. He begins to not only see the future but invent it.
The series also stars Laura Haddock (The Inbetweeners Movie, “Honest,” Captain America: The First Avenger), who plays the celebrated beauty with obscure motives, Lucrezia Donati; Elliot Cowan (“Marchlands,” “The Fixer,” “Lost in Austen”), who plays the shrewd de factor ruler of Florence, Lorenzo Medici; Lara Pulver (“True Blood,” “Sherlock,” “Robin Hood”), who plays his wife, Clarice Orsini; and Blake Ritson (RocknRolla, Titus, “World Without End”) as Pope Sixtus’ ruthless bastard son, Count Riario.
“In a world where thought and faith are controlled, one man fights to set knowledge free.
The secret history of Leonardo Da Vinci’s tantalizing life reveals a portrait of a young man tortured by a gift of superhuman genius. He is a heretic intent on exposing the lies of religion. An insurgent seeking to subvert an elitist society. A bastard son who yearns for legitimacy with his father.
He finds himself in the midst of a storm that has been brewing for centuries. A conflict between truth and lies, religion and reason, past and future. His aspirations are used against him by the opposing forces of the time—luring him into a game of seduction where those who despise his intellect need him most. Leonardo must take up the fight against foes who use history to suppress the truth. A hero armed only with genius, Da Vinci stands alone against the darkness within, and the darkness without.
Facing an uncertain future, his quest for knowledge nearly becomes his undoing as he explores the fringes of his own sanity. Da Vinci throws himself into his genius and emerges as an unstoppable force that lifts an entire era out of darkness and propels it into light. His story becomes a mirror into our own world, calling us all to join his fight to Free the Future.”
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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