Movies
Marc Forster Says ‘World War Z’ Re-Shoots Only Took Four Weeks, Not Seven
Paramount Pictures’ World War Z is fast approaching on June 21st. Now, director Marc Forster is aiming to clarify reports about the length of the re-shoots telling Empire, “No, seven weeks is not correct. We shot for about four-and-a-half. Reshooting was always normal! …Our reshoots were a little more exposed in the press because we had a different ending. We felt a different ending would serve the movie better. It’s the same if you’re buying a house and you roll out a nice Persian carpet for your living room and you realise it doesn’t really fit.”
I’m not sure why Forster didn’t mention this when we asked him about it last month, when he spoke at length about the additional photography (among other things). But… duly noted.
Brad Pitt, Mireille Enos, Daniella Kertesz, James Badge Dale, Matthew Fox and David Morse all star in the film that “ revolves around United Nations employee Gerry Lane (Pitt), who traverses the world in a race against time to stop a pandemic that is toppling armies and governments and threatening to decimate humanity itself.”
The buried origins of the cinema zombie will be explored in upcoming documentary Black Zombie, and Deadline reports that Kino Lorber has picked up the doc for U.S. release.
Kino Lorber will release Black Zombie in theaters later this year.
From writer and director Maya Annik Bedward, Black Zombie digs beneath the blood-soaked spectacle of modern horror to uncover the zombie’s buried and unsettling origins.
Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery: not a monster, but the ultimate victim of colonial power.
Deadline further details, “Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, reconsidering iconic films like White Zombie, Night of the Living Dead, and The Serpent and the Rainbow alongside archival footage, vérité scenes, and interviews with cultural historians, artists, and genre legends including Yves-Grégory Francois, Mambo Labelle Déesse, Slash, Tom Savini, and Zandashé Brown. Part cultural reckoning, part horror remix, Black Zombie exposes how a figure born from enslavement, spiritual belief, and resistance was transformed into one of pop culture’s most profitable monsters.”
“I’m thrilled to partner with Kino Lorber on the release of Black Zombie,” said Maya Annik Bedward. “The film explores the power of images to shape our understanding of history, culture, and race, making it especially meaningful to work with a distributor so deeply engaged with cinema’s past and present. Their passion for films that challenge, illuminate, and expand our understanding of the world makes them an ideal partner for bringing this story to audiences across the U.S.”
Kino Lorber’s Karoliina Dwyer adds, “The zombie is one of the most iconic images in cinema, and you’ll never look at them the same after watching Black Zombie. Maya Annik Bedward has crafted a fascinating, deeply researched documentary that unearths the long-buried Haitian origins of the genre, interrogating colonial, political, and Hollywood history to powerful and illuminating effect. We’re so proud to bring this documentary to U.S. audiences this fall.”
Executive producers for the documentary include music legend Slash.
‘I Walked With a Zombie’ (1943)
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