Editorials
[Editorial] Why I Love Horror
So, let me first start off by saying that today is my birthday and therefore I’m writing this, well…because I can. However, it’s because today is my birthday that I’m reflecting back upon my years on this planet and the things that bring me joy; strumming tunes on my guitar, playing a video game or two, hanging out with friends and family, traveling, cooking up an awesome meal for my pals (my hot wings are becoming famous), etc… One of the things that also brings me a great amount of joy is my love of horror, which I have been enjoying ever since I can remember. And since today is my birthday, I figured I’d share with you a bit of my horror journey and why it means so much to me.
I was one of those kids that was drawn to horror ever since I can remember. I sneakily stayed up late to try and watch episodes of Tales From The Crypt, even though they terrified me. I would always borrow Schwartz and Gammell’s The Scary Stories Treasury from the library because the images were so amazing (and the stories weren’t that bad either). I was more drawn to facing Dracula in Castlevania than fighting Bowser in Super Mario Bros. on my NES. My first horror movie memory (as well as my first movie memory in general) was seeing Freddy Kruger burst through Joey’s waterbed in Nightmare On Elm St. 4 on TV.
As a kid, yeah, my love for horror was simply because I craved the blood, gore, and monsters. How cool were they? These were the stuff of nightmares, the things my parents didn’t want me to see because I, “…wasn’t old enough yet.” They were forbidden or, at the least, frowned upon, which was enough for me to say, “I WANT IT!”
As I grew, I began seeing horror in a somewhat different light. While I still loved the gore, creatures, and blood, it became more about what kind of horror movie had the ability to frighten me. After all, since I was watching one horror flick after another, I became somewhat desensitized. I was able to watch “The Year’s Most Terrifying Film!” and not even once wince.
But there was something else that happened in my life that had a rather lasting impact upon me and my ability to appreciate and, in a strange way, connect with horror. When I was very young (about 4 or 5), a family member developed a disease that required them to stay in the hospital for a couple of years. Don’t worry, they’re doing fine now. But for those few years, especially during a time where I was so impressionable and my mind so malleable, the constant trips to the hospital to visit said family member became less and less scary and more and more normal. As a matter of fact, to this day I have no worries of fears when going to a hospital.
I remember a day when my dad took me to the game room so that I could play some NES while he and the doctors did some discussing. The last thing any parent needs at that time is some whiny, sniveling little brat complaining that they, “…just want to go home!” This was also before consoles were put on those wheeled TV stands so that kid wouldn’t have to leave their rooms. So, as I said, off to the game room I went. Now let me paint you a picture of the game room, shall I? It was very well lit, with lots of windows that let in a great deal of sunshine. The walls were painted with happy imagery, such as trees, smiling animals, the whole shebang. However, and here’s where things get a little surreal, the kids who were in that room, playing on NES consoles or putting together puzzles or building a new Lego sculpture, were patients. Many of these children had, for necessary reasons, limbs amputated. Some had tubes running in and out of them. Others were bald and gaunt from treatments. The sight of these children in a room so cheery felt almost like some nightmarish circus.
But this room became very familiar to me. It became my playroom away from home. It was the family room TV where I had my NES hooked up, only in a hospital and with many other children playing nearby. These children, whose great suffering was so easily seen both physically and mentally, became my pals. And, as you can imagine, there were times when I would go in and those children wouldn’t be there anymore, either because they died or because they were well enough to go home.
This surreal lifestyle was a way of life for me. It made me see deformities and physical handicaps in a completely different way than had I never gone through these years. The creatures in horror films were now relatable. They could be understood, if one were to simply empathize a little. They were simply the “Other”, that which we may not understand and which the vast majority of us choose to not understand.
I had two choices when I was going through this at that young age: I could’ve feared and mistrusted those poor children who so desperately needed a distraction from their grueling everyday pains OR I could’ve done what I ultimately chose to do, which was face them head on and not avert my eyes. I’ve stared deep into the eyes of people who knew that they were basically the walking dead, where any breath could very well be their last. I saw their strength, their constant will to fight, and it inspired me. And horror was the way that I could take the reality of the situation and give it an outlet, a way to come to a conclusion where the true enemy could be defeated.
For me, horror is seeing people in terrifying, seemingly unwinnable situations and finding the strength to push forward, to persevere, to fight for every moment of life. And I love that. I love seeing people appreciate what they have.
I also love horror because I see the strength of the community. We may bicker and complain about remakes, sequels, reboots, whether a film is horror or not, etc… But at the end of the day there is this bond that only we can understand. We can look at each other and recognize the passion and the love. For many of us, horror is our outlet from the daily drudgery that is life.
I’ve been a writer for Bloody-Disgusting for over three and a half years and every day fills me with joy. I get to be a part of the greatest community on the planet (yeah, some bias may be showing here) and while I may not agree with everything each of you say, I respect the hell out of each and every single one of you. We’ve each gone through our own difficulties and we’re here, stronger with each day.
We are society’s “The Other”. We are our family’s “black sheep”. We are, according to other students, “the weird one”. But that won’t stop us. That has never stopped us.
And that, my dear readers, is why I love horror. Because of you. Because of what it has taught me. Because of how it has shaped me to appreciate every single moment I have.
Now, having gone all sentimental and personal with all of you, I’m off to enjoy the rest of my birthday with a sushi dinner, some free birthday shots, and a horror movie or two.
P.S. The reason the banner image is from The Shining is because that’s one of my all-time favorite horror films. That’s all.
Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!
Editorials
‘The Real Ghostbusters’: 10 Must-Watch Episodes from the Classic Series Now Streaming
No conversation about cartoons based on live-action movies is ever complete without mentioning The Real Ghostbusters.
This animated continuation is, warts and all, a notable example of turning a hit movie into a hit series. And although the new target demographic skewed a little younger, even kids-at-heart could partake in the further adventures of Peter Venkman, Ray Stantz, Winston Zeddemore and Egon Spengler.
For a good part of its run, the show required fans to wait at least a week for more Ghostbustin’. That’s torture for a kiddo. Luckily, though, the entire series, or at least most of it, is now available for streaming.
So, as you revisit The Real Ghostbusters on Tubi—for now it’s just the first five seasons there—use this guide to help prioritize some must-see episodes.
The Boogieman Cometh

“The Boogieman Cometh” (Season 1)
Season One’s “The Boogieman Cometh” is a classic episode featuring one of the show’s more iconic villains. It’s hard to forget the unique character design used for the Boogieman (whose creepy voice was provided by Ray and Slimer’s actor, Frank Welker). In this story, Egon is reunited with that bump-in-the-night entity who haunted his own childhood, all while trying to keep him away from his latest targets: the brother and sister claiming to have the Boogieman in their closet. Although the Ghostbusters do save the day here, the Boogieman eventually returns (“The Bogeyman Is Back“). That same episode also features the love-’em-or-hate-’em Junior Ghostbusters.
Mr. Sandman, Dream Me a Dream

“Mr. Sandman, Dream Me a Dream” (Season 1)
You could say the namesake of “Mr. Sandman, Dream Me a Dream” had good intentions for putting mankind to sleep for the next few centuries—he wanted to end war and keep everyone dreaming. Sounds nice until you remember that whole free will business. But when it seems like the Ghostbusters have lost to their latest foe, the last one standing, Winston, gains a sudden ally. Janine’s dream of becoming a Ghostbuster is manifested, and she helps put this rogue spirit to bed.
When Halloween Was Forever

“When Halloween Was Forever” (Season 1)
Before the show’s execs capitalized on Slimer’s popularity by making him the focus of later episodes, early stories like “When Halloween Was Forever” better utilized that gooey ghost. Here, the spirit of Halloween itself, Samhain, hopes to make the holiday a permanent thing by stopping time. And who does the embodiment of All Hallows’ Eve use in his nefarious plot? Slimer, of course. Thankfully, the lil’ green bud knows where he really belongs, and Samhain is banished (at least until Season 3’s “Halloween II 1/2“).
Night Game

“Night Game” (Season 2)
Because Season Two was rather long, in comparison to other seasons, it accumulated quite a few solid episodes. One of the most beloved, though, is that ultimate good-versus-evil story, “Night Game“. Winston gets to shine here as he participates in a battle that was 500 years in the making. Except this time, the fighting is done on the baseball field. The other-dimensional settings in The Real Ghostbusters are always great, but the one here is particularly memorable.
Drool, the Dog-Faced Goblin

“Drool, the Dog-Faced Goblin” (Season 2)
Not all ghosts and whatnot were bad in The Real Ghostbusters. As “Drool, the Dog-Faced Goblin” showed, some were actually benevolent. Sadly, it took a lot of convincing, and one very heroic act, for Peter and the others to see past this goblin’s grotesque appearance. The heroes find more than one shapeshifter at a sideshow carnival in the Poconos; a sinister Class-4er called the Metamorph does a swell job of menacing the Ghostbusters before they finally realize Drool’s not their culprit. The good guys indeed win here, but that victory is a bittersweet one.
The Collect Call of Cathulhu

“The Collect Call of Cathulhu” (Season 2)
While “The Collect Call of Cathulhu” does misspell “Cthulhu” in the title (probably to avoid legal issues), it is clearly the Old One in this Lovecraft-inspired episode. The story kicks off with the Necronomicon being stolen by the deity’s modern-day cult, who then raise their ancient god at Coney Island. From there, the Ghostbusters’ typical methods don’t work on the big guy, so they seek advice from an old issue of Weird Tales (or “Wierd Tales”, as it’s spelled on screen). That build-up to the finale comes with a decent amount of dread before the Ghostbusters, as well as a scholar named Alice, face off with one of the show’s most powerful entities.
Knock, Knock

“Knock, Knock” (Season 2)
A number of Real Ghostbusters episodes could be reworked into big-screen features, but perhaps “Knock, Knock” is the most hopeful. It helps that this story feels in step with the first two movies. Here, some ignorant construction workers accidentally uncover and open an ancient door in the subway. What’s behind said door is none other than those unspeakable evils that only the Ghostbusters can quell. A good deal of the imagery here is prime for adaptation.
The Grundel

“The Grundel” (Season 3)
One of the darker episodes, which was written by the prominent J. Michael Straczynski, is “The Grundel“. Here, a boy is being influenced by the titular entity, a type of ghost who ultimately turns his targets into new Grundels. The episode does have something of an after-school special quality to it, but that doesn’t take away from the eerier moments. For more Grundel lore, be sure to check out the episode “Grundelesque” from the sequel series, Extreme Ghostbusters.
Standing Room Only

“Standing Room Only” (Season 4)
It’s no secret that The Real Ghostbusters experienced multiple changes after the second season. Out of all of them, though, retooling the show so that Slimer would get more of the spotlight is maybe the most egregious. Thankfully, Season Four (the first to be called Slimer! and the Real Ghostbusters) didn’t completely obey that new directive; episodes like “Standing Room Only” felt more like the old days. The focus here was on the well-being of the city and its people, rather than on the series’ green mascot (or the Junior Ghostbusters). In the episode, Peter’s new ghost attractor isn’t to blame for the ensuing chaos; the ghost-eating Mee-Krah is what’s really imperiling everyone. And the Ghostbusters must dish out everything they have to avoid a doomsday situation.
The Halloween Door

“The Halloween Door” (Season 5)
While many fans will skip the later seasons in their rewatches, episodes like “The Halloween Door” are still worth checking out. This colorful helping of Halloween pandemonium premiered on primetime, so the animation is better than usual. And save for a random musical moment, it’s an enjoyable event. Here, a group of anti-Halloweeners tries to cancel the holiday, but they only end up making things worse by unleashing a baddie named Boogaloo.
The first five seasons of The Real Ghostbusters are available on Tubi, starting on July 15.
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