Movies
[Fantastic Fest ’13] ‘Machete Kills’ Will World Premiere In Austin!
Fantastic Fest is excited to announce Robert Rodriguez’s Machete Kills will have its world premiere on September 19, 2013 as the opening night film for the 2013 festival, which will take place in Austin, Texas at the new Alamo Drafthouse Lakeline location from September 19-26, 2013. Talent from the film, including Danny Trejo, Alexa Vega and Robert Rodriguez, will be in attendance. Additional talent to be confirmed closer to festival. Check out a brand spanking new still of Danny Trejo as Machete and Michelle Rodriguez as She!
“Danny Trejo returns as ex-Federale agent Machete, who is recruited by the President of the United States (Charlie Sheen) for a mission which would be impossible for any mortal man – he must take down a madman revolutionary and an eccentric billionaire arms dealer (Mel Gibson) who has hatched a plan to spread war and anarchy across the planet.”
Michelle Rodriguez, Jessica Alba, Demian Bichir, Amber Heard, Sofia Vergara, Zoe Saldana, Edward James Olmos, Elise Avellan, Electra Avellan, William Sadler, Lady Gaga, Alexa Vega, Vanessa Hudgens, Marko Zaror also star.
From director David Ayer (Suicide Squad, Fury), Heart of the Beast will hit theaters on September 25 from Paramount Pictures, and GQ shares first look images this week.
In the film, a former Army Special Forces soldier and his retired combat dog attempt to return to civilization after suffering a catastrophic accident deep in the Alaskan wilderness.
Brad Pitt stars in the survival thriller Heart of the Beast, with J.K. Simmons (Whiplash) and Anna Lambe (“True Detective: Night Country”) also starring.
Cameron Alexander wrote the screenplay for Heart of the Beast. Academy Award winner Mauro Fiore (Avatar, Spider-Man: No Way Home) serves as director of photography.
“I’ll just be really honest: it made me cry,” Ayer tells GQ of the script. “Reading the script, it’s like a tone poem, in a sense. It’s so sparse—just a guy, a dog, mountains, and the calamities and triumphs that unfold, but what’s fascinating about the script is they’re constantly rescuing each other. It’s not like a guy and his pet—they felt like co-equals in this story. Brad wanted to be No. 2 on the call sheet, and rightly so. There was just something profound in the script. It felt like a study in grief, in healing, and of the human heart. So I had to do it.”
Ayer promises, “Don’t worry, the dog lives.”
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