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Vincent Cavanagh Comments On Upcoming Anathema N. America Tour

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Easily my most anticipated tour for the rest of the year, the upcoming lineup of Anathema, Alcest, and Mamiffer is something that I never thought would happen in a million years. Anathema has only played the US twice as a full band and both performances were over a decade ago. So knowing that I’ll be able to see them is something out of a dream.

Vincent Cavanagh shares this enthusiasm, commenting: “I can’t wait. Such a cool line up – three bands that move in different spheres while sharing the intent to create music that is honest, forward-thinking and uninhibited.

“I first met Stéphane from Alcest last year, discussing ’90’s shoegaze bands in a forest in Lithuania! He is someone for whom I have great respect. Their music is melodic and soulful, full of dream-like imagery.

“Mamiffer are true artists. The dynamic mix of stark piano, crushing melancholic textures and choral reverie is something to behold. Exactly the kind of thing I’m into, so I’m really looking forward to it.

Below are the tour dates as well as the track listing for the band’s upcoming live DVD/Blu-Ray Universal, which was directed by Lasse Hoile (Porcupine Tree, Opeth). The live set can be pre-ordered here.

Anathema and Alcest co-headline dates:
9/12 – Philadelphia, PA @ Underground Arts
9/13 – West Springfield, VA @ Empire
9/14 – New York, NY @ Gramercy Theatre
9/15 – Cambridge, MA @ The Middle East Downstairs
9/16 – Montreal, QC @ Foufounes Electriques
9/18 – Toronto, ON @ The Opera House
9/19 – Flint, MI @ The Machine Shop
9/20 – Cleveland, OH @ Peabody’s DownUnder
9/21 – Chicago, IL @ Reggie’s Rock Club
9/22 – Minneapolis, MN @ Mill City Nights
9/24 – Denver, CO @ The Summit Music Hall
9/25 – Salt Lake City, UT @ In The Venue
9/26 – Boise, ID @ Knitting Factory
9/27 – Seattle, WA @ Studio Seven
9/28 – Vancouver, BC @ Richshaw Theater
9/29 – Portland, OR @ Hawthorne Theater
10/01 – Oakland, CA @ Oakland Metro Operahouse
10/03 – Los Angeles, CA @ El Rey Theatre
10/04 – San Diego, CA @ The Casbah
10/05 – Tempe, AZ @ The Marquee

Universal track listing:
CHAPTERS:
Untouchable, Part 1
Untouchable, Part 2
Thin Air
Dreaming Light
Lightning Song
The Storm Before the Calm
Everything
A Simple Mistake
The Beginning and the End
Universal
Closer
A Natural Disaster
Deep
One Last Goodbye
Flying
Fragile Dreams

EXTRAS:
ENCORE:
Panic
Emotional Winter / Wings of God
Internal Landscapes
Fragile Dreams

A NIGHT AT THE UNION CHAPEL:
Kingdom
Thin Air
Angels Walk Among Us
A Natural Disaster
Fragile Dreams

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Managing editor/music guy/social media fella of Bloody-Disgusting

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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