Movies
1979 Classic ‘The Visitor’ Getting Halloween Release Through Drafthouse…
Drafthouse Films announces a first-time theatrical platform release for the full-length cut of the phantasmagoric 1979 sci-fi/horror hybrid The Visitor. The film will open in a dozen cities starting Halloween weekend before rolling out into additional markets throughout November and the rest of the year. The repertory title will be hitting the big screen in major markets including Los Angeles, New York, Austin, Boston, Chicago, Dallas, Denver, Houston, Portland and San Francisco. A VOD/digital and home entertainment release will follow in January, 2014.
Legendary Hollywood director/actor John Huston (The Maltese Falcon; Treasure Of The Sierra Madre) stars as an intergalactic warriorbattling alongside a cosmic Christ figure against a demonic eight-year-old girl and her pet hawk, as the fate of the universe hangs in the balance.
In the dawn of ’70s American blockbusters, European production companies emerged stateside, attempting to recreate box office gold by cloning Hollywood. The infamous Supreme Court-banned Jaws copy Great White, The Exorcist-esque Beyond The Door and countless others were packaged for export and the burgeoning drive-in circuit. Producer Ovidio G. Assonitis and Director/Alleged Bodybuilder Michael J. Paradise’sTheVisitorstands as perhaps the most ambitious of all, taking its inspiration by artfully fusing The Omen, Close Encounters Of The Third Kind, The Birds, Rosemary’s Baby, The Fury and Star Wars alongside a baffling cast that includes Shelley Winters (NightOfTheHunter), Glenn Ford (Superman), Lance Henriksen (Aliens), Franco Nero (Django) and Sam Peckinpah (director of TheWildBunch).
The result is not so much a carbon copy of these films, but rather an entertainingly hallucinatory and inscrutable mash-up that repertory cinema programmers around the country have rediscovered for late-night bookings. “Just when you think you’ve nailed down which direction the film is heading in, it completely shatters your notion of the time-space continuum,” says LA art-house The Cinefamily. The Village Voice also calls the film “ridiculously entertaining [and] a schizophrenic mother of all ’70’s drive-in oddities.”
“This film is from another time, another place and a wholly different dimension,” says Drafthouse Films Creative Director Evan Husney, “and contains the highest JDPM (jaw-drops-per-minute) ratio out of any movie we’ve ever encountered. The Visitor is a repertory mainstay at the Alamo Drafthouse and is truly one of the most joyfully delirious theatrical experiences we’ve unleashed on our audiences. The world wasn’t ready for this film in 1979, and it still may not be. Regardless, we are ecstatic to reintroduce cinema’s most colossally bizarro achievement. Ever.”
It was announced two years ago that filmmaking team Radio Silence (Ready or Not, Scream, Scream VI, Abigail) were working on bringing Snake Plissken back to the screen for a brand new movie based on John Carpenter’s Escape from New York for 20th Century Studios, with John Carpenter himself on board as an executive producer of the upcoming movie.
The project had originally been described as a “reboot,” but filmmakers Matt Bettinelli-Olpin and Tyler Gillett had described it as more of a “requel.” Unfortunately, the pair revealed to Comicbook.com that they’re no longer developing the requel and have parted ways with the project.
Gillett told the outlet, “We are not, unfortunately. I think titles like that bounce around for a while and I think they’ve tried to get that out of the blocks a few times. I think it’s just ultimately a tricky rights issue thing. There’s a clock on it and we just weren’t in a position to make the clock, ultimately. But who knows? I think, in hindsight, it feels crazy that we would think we would, post-Scream, step into a John Carpenter franchise. You never know. There’s still interest in it and we’ve had a few conversations about it but we’re not attached in any official capacity.”
Escape from New York was set in 1997. “When the U.S. president crashes into Manhattan, now a giant maximum security prison, a convicted bank robber is sent in to rescue him.”
In Escape from LA, also directed by John Carpenter, “Snake Plissken is once again called in by the United States government to recover a potential doomsday device from Los Angeles, now an autonomous island where undesirables are deported.”
Radio Silence is fresh off of helming gory vampire movie Abigail. It’s the third vampire movie from the Universal Monsters brand in the past year, the film scaring up $34.7 million at the worldwide box office these past few weeks. That gives it a higher worldwide gross than both The Last Voyage of the Demeter ($21.7 million) and Renfield ($26.4 million), and it’s also the most critically successful of the three vampire movies. Abigail also just landed on Premium VOD, so you can watch at home now.
Stay tuned for additional details on the Escape from New York requel, and what’s next for Radio Silence.
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