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The Pixies Release Official Video For “Magdalena”

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Alt-rock group The Pixies have released an official video for “Magdalena”, their second video from their EP 2. Directed by Judy Jacob, the video stars British dance/theater/performance artist Nando Messias who dresses in drag, walks around town, showers in rice, and beats up random guys to take their sandwich. Yeah, that about sums it up.

The band’s Black Francis describes the song, saying it’s “…basically a blues-shape with a Beatles-esque left turn, and a lot of Pixies-referential lyrics.”

Check out the video below.

Current tour dates:
JANUARY
26 Strathmore, Washington, DC (Fidlar)
28 NJ PAC, Newark, NJ (Fidlar)
29 National Theatre, Richmond, VA (Fidlar)
31 Durham PAC, Durham, NC (Cults)

FEBRUARY
1 Thomas Wolfe Auditorium, Asheville, NC (Cults)
2 Ryman Auditorium, Nashville, TN (Cults)
4 Tabernacle, Atlanta, GA (Cults)
6 Peabody Opera House, St. Louis, MO (Cults)
7 LC Pavilion, Columbus, OH (Cults)
8 The Fillmore, Detroit, MI (Cults)
9 Rivera Theatre, Chicago, IL (Cults)
11 Midland Theatre, Kansas City, MO (Cults)
13 Fillmore Auditorium, Denver, CO (Best Coast)
14 Belly Up, Aspen, CO (Best Coast)
15 The Great Salt Air, Salt Lake City, UT (Best Coast)
17 Orpheum Theatre, Vancouver, BC CANADA (Best Coast)
18 Paramount Theatre, Seattle, WA (Best Coast)
19 Schnitzer Auditorium, Portland, OR (Best Coast)
21 Fox Theatre, Oakland, CA (Best Coast)
22 San Jose Civic, San Jose, CA (Best Coast)
23 The Joint at Hard Rock Hotel & Casino, Las Vegas, NV (Best Coast)
24 Comerica Theatre, Phoenix, AZ (Best Coast)
25 Kiva Auditorium, Albuquerque, NM (Best Coast)
27 Bayou Music Center, Houston, TX (Best Coast)
28 South Side Ballroom, Dallas, TX (Best Coast)

MARCH
1 Austin Music Hall, Austin, TX (Best Coast)
29/30 Lollapalooza Chile, Santiago, Chile

APRIL
1 Rock’n’Fall, Montevideo, Uruguay
1/3 Lollapalooza Argentina, Buenos Aires, Argentina
3/5 Festival Estereo Picnic, Bogota, Colombia
5/6 Lollapalooza Brazil, Sao Paulo, Brazil

MAY
29/30 Primavera Sound, Barcelona, Spain

JUNE
2 Rock In Idro, Bologna, Italy
4 Caribana Festival, Crans-Pres-Celighy, Switzerland
6/7 Primavera Sound, Porto, Portugal
8 Field Day, Victoria Park, London, UK
13 Orange Festival, Warsaw, Poland
15 Northside, Arhus, Denmark
17/18 Bloomfield Stadium, Tel Aviv, Israel
20 Best Kept Secret, Hilvarenbeek, Holland
20/22 Hurricane, Schessel, Germany
20/22 Southside, Neuhausen, Germany
25 Inmusic, Zagreb, Croatia
29 Marley Park, Dublin, Ireland (with Arcade Fire)
30 Live at the Marquee, Cork, Ireland

JULY
2 Nuits De Fourviere, Lyon, France
5 Rock Werchter, Werchter, Belgium
6 Beauregard, Herouville-St. Clair, France


Managing editor/music guy/social media fella of Bloody-Disgusting

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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