Music
Skinny Puppy Sends Invoice To US Government For Using Their Music As Torture Device
In an interview with Phoenix New Times, Skinny Puppy mastermind cEvin Key revealed that the name of their latest album, Weapon, was inspired by the fact that they found out their music was used by the US government as a torture device in Guantanamo Bay.
Key explains, “We heard through a reliable grapevine that our music was being used in Guantanamo Bay prison camps to musically stun or torture people. We heard that our music was used on at least four occasions. So we thought it would be a good idea to make an invoice to the U.S. government for musical services, thus the concept of the record title, Weapons.”
Key did lament the situation, explaining that finding out this information made him feel, “Not too good. We never supported those types of scenarios. … Because we make unsettling music, we can see it being used in a weird way. But it doesn’t sit right with us.”
Weapon came out in 2013 and can be purchased on iTunes.
It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.
Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.
Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.
“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.
“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”
You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…
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