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30 Upcoming Indie Horror Games You Should Be Excited About!

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Fran Bow (PC)

What makes it exciting: If visceral horror isn’t your cup ‘o tea, Fran Bow may be more your style. It replaces jump scares and intense chases with a twisted, engrossing story and buckets of gore. The thing is, you only see the its darker side when you take your meds. There’s essentially two different ways to see the world, and the game uses this idea to craft clever puzzles that force you to see things as they truly are.

When you can expect it: Summer 2014

Frozen State (PC)

What makes it exciting: An unsuccessful crowd-funding campaign didn’t stop this developer from striving to make their game a reality. Good thing too, because Frozen State looks fantastic. It takes a top-down isometric RPG, throws it in a frozen, post-apocalyptic wasteland located in a fictional Russian city, and sprinkles on a plethora of mutated beasts and miscellaneous other horrors.

When you can expect it: TBA

Homesick (PC)

What makes it exciting: While not fully a horror game, Homesick is more of an atmospheric adventure game with unsettling, nightmarish moments that take place when your character — who, like the poor souls in many of the games on this list, finds himself trapped in an unfamiliar environment — falls asleep.

When you can expect it: TBA 2014

Kholat (PC)

What makes it exciting: I’ll admit that some of my excitement for Kholat stems from my morbid interest in its inspiration — the Dyatlov Pass incident. It’s a real world mystery where a group of nine hikers were found dead near the mountain Kholat Syakl in the Ural region of Russia in 1959. The mutilated bodies of some of the hikers baffled experts at the time and continues to baffle people today. The explanation officials came up with for their untimely death? “Death by compelling natural force.” The makers of Kholat have a creepy story to draw from — I’m sure they won’t disappoint.

When you can expect it: TBA

The Lady (PC)

What makes it exciting: Alas Vegas may call itself a “weird horror” game, but it has nothing on The Lady. I can’t even explain what this game is, aside from a bizarre, 2D puzzle game with a freakish visuals. If you’d like to see it in action, you can do so here.

When you can expect it: TBA 2014

Lethe (PC)

What makes it exciting: This is another game that only recently caught my attention. Lethe follows Robert Dawn, a journalist who tries to kickstart his career by investigating an article that details an incident at an isolated pharmaceutical facility that went largely unnoticed by the world. Unfortunately for him, he soon realizes that this island might be inhabited by all sorts of horrors.

When you can expect it: TBA

Monstrum (PC)

What makes it exciting: The indie horror game Monstrum takes the terrifying scenario of being alone and hunted to the open sea, where no one but Jaws and a gaggle of Jellyfish can hear you scream. Not too much is known about this game, but that’s okay, because the idea of a terrifying game of cat-and-mouse on a rocking ship has me plenty excited.

When you can expect it: TBA

Narcosis (PC)

What makes it exciting: Not content to run from something scary on the ocean’s surface? That’s okay, because Narcosis drags us below it, to the ocean floor. In it, a deep sea diver finds his/herself stranded on the bottom of the ocean, alone and with little oxygen. Also, because it’s a horror game, something is totally out to get you.

When you can expect it: TBA

Neverending Nightmares (PC)

What makes it exciting: If you’re looking to experience a game that’s a little more personal, Matt Gilgenbach’s Neverending Nightmares should be right up your alley. It’s inspired by Gilgenbach’s life-long struggle with several mental illnesses, including obsessive-compulsive disorder and depression. The result is a game that’s both horrifying and oddly emotional, as it serves as a window into the tumultuous life of a game designer who’s only outlet was this video game.

When you can expect it: TBA 2014

Nevermind (PC)

What makes it exciting: Stress can be a horrible, debilitating thing. I’ve struggled with it, and I’m sure many of you have too. Nevermind is developer Erin Reynolds’ concept for a game that doubles as a tool for managing stress. It accomplishes this by using biofeedback to monitor your stress levels and adapt accordingly. The more stressed you become, the harder the game gets. Eventually, the only way to progress is by learning how to calm your frayed nerves during an intense situation. It’s a neat idea and proves video games can provide much more than entertainment — they can be teaching mechanisms, too.

When you can expect it: TBA

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Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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