Music
Daniel Liljekvist Leaves Katatonia: Band Will Continue On
Drummer Daniel Liljekvist of Swedish melancholic metal band Katatonia has announced that he is leaving the band. The decision was not based upon any sort of strife or anger but rather simply his want to spend more time with his family. A full statement from him can be read below.
Meanwhile, the band will continue forward with their ‘Dethroned And Uncrowned – Unplugged & Reworked’ tour next month. Replacing Liljekvist will be JP Asplund, who performed the original percussion on Dethroned & Uncrowned as well as Dead End Kings. Drummer Daniel Moilanen will stand in during summer festivals.
Daniel Liljekvist:
“Dear friends and fans,
I’ve been thinking about this for the last couple of months and I’ve come to the sad conclusion that i have to leave the band. It’s got nothing to do with ’difference in views´or any other bullshit. I just cannot combine job, family and commit 100% to Katatonia. Times for musicians are rough and i’ve decided to concentrate on my family and get a normal job that gets the bills payed.
I’ve had some of the best moments in my life the past 14 odd years together with my favorite people in the world. I’ve been all over the planet with this lot…my second family. Thank you! I’m gonna miss playing with you and I’m gonna miss hanging out with you on the road so much. And I’m gonna miss meeting all the great Katatonia fans all over the world. You know who you are. You are truly amazing! I’m not gonna miss all the freaks and idiots we’ve come across during all the years. You probably don’t know who you are. And I will not miss bad catering, shit beer and banana juice…
This is Daniel, rocking the fuck off! Cheers!”
From the members of Katatonia:
“We are sad and hollow to see Daniel leave our ranks, but yet his decision has our sincere understanding. Nothing lasts forever and all good things must come to an end sooner or later. Yet it makes it so much more frustrating when it happens for the wrong reasons or before reaching our terminus. Particularly, we can’t pretend the current climate has nothing to do with it, in fact this is undeniably yet another outcome of musicians struggling at the crossroads of today’s “scene/industry”. Tragically, this situation forces a member, brother – and our fans favourite long-time drummer – to resign from a band he sacrificed a decade and a half to build. While encouraging this topic to inevitable debate and re-evaluation, we will always be grateful for the years we shared together and we wish Daniel the best of luck in the future. It goes without saying, we part as band members, but certainly remain as friends.”
It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.
Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.
Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.
“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.
“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”
You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…
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