Edge of Tomorrow was insanely awesome (read my review), and my personal belief is that the finale is perfect. Yet, apparently, the original plan was to go for something much darker.
Film School Rejects spoke with screenwriter Christopher McQuarrie, who explained the original script for Edge of Tomorrow was tonally much darker. Cruise stressed the importance of the story’s humor, even when people like McQuarrie initially didn’t see the joke, says the site. Once Edge of Tomorrow began to lean more heavily on the comedy, that’s when this happy ending materialized.
“I was always arguing it has to end on the helicopter,” he explained. “You have to be thrown back to wondering, ‘Did the movie even happen? Did any of this really happen?’ To that end, there were a million things you had to do with the writing and visually, to serve that ending. That presented a lot of challenges and debate for us. We really struggled to deliver what the movie needed to be emotionally.
I know the ending was somewhat controversial, with some people who didn’t like it. I think the only way to make those people happy would to end the movie in a way that wasn’t happy. We weren’t interested in doing that. It needed to end in a way that wasn’t harsh.”
McQuarrie also talks about an earlier version of the screenplay that, while more even, was filled with exposition.
“When Tom loses the power, and they go to Paris, and Tom is preparing the team as they go into Paris where he’s telling them the rules of the movie, he tells the team everything the audience knows. Basically, he told them: ‘Kill as many Mimics as you want, but do not kill an Alpha. If you kill an alpha we’ll be right back here having this conversation, and we won’t even know it. The enemy will know we’re coming and they’ll kill us all.’
When they get to Paris there’s the classic horror movie scene where one of them gets separated from the group, and he gets attacked by an Alpha and kills it. As he kills it, you see the Omega reset the day and you see the point-of-view of the villain. We cut to the plane and hear the same speech all over again. This time when he gets to the line, ‘You can bet they’ll have a plan to kill us all,’ the ship gets hit. As the audience, you realize the enemy knows they’re coming. The problem was you were so exhausted by the time you got to that point.”
I love reading stuff like this because it shows that there are some filmmakers/writers/actors/studio execs who get it. There’s nothing worse than heavy exposition, especially in an action movie (tell a story with pictures, not words). And the fact that they understood audiences wanted to have a good time is aces. You can read even more by clicking the above link.
