Movies
‘The Maze Runner’ Poster Sprints Out of the #SDCC
20th Century Fox gave Yahoo! the latest theatrical one-sheet for The Maze Runner, based on the best-selling Young Adult novel by James Dashner.
The previously released trailer looks like a cross between Lord of the Flies, “Lost” and Hunger Games. I’m also intrigued by the tease of creatures outside of the gates…
“When Thomas (O’Brien) wakes up trapped in a massive maze with a group of other boys, he has no memory of the outside world other than strange dreams about a mysterious organization known as W.C.K.D. Only by piecing together fragments of his past with clues he discovers in the maze can Thomas hope to uncover his true purpose and a way to escape. Based on the best-selling novel by James Dashner.”
Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Will Poulter and Aml Ameen star in the film, which is directed by Wes Ball.
Dashner has penned four entries in the “Maze Runner” series to date, with “The Scorch Trials” and “The Death Cure” serving as sequels and “The Kill Order” acting as a prequel.
The Maze Runner will open in the States on September 19, and in UK cinemas October 24.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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