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Mark Morgan’s ‘Stasis’ Score is as Beautiful as it is Haunting

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Mark Morgan is a name that should be familiar to Fallout fans, as he composed the (fantastic) soundtracks for the first two Fallout games, as well as New Vegas. Morgan’s next project is Stasis, a 2D isometric sci-fi horror game that blends elements of Alien, Dead Space and even a little Mass Effect. I spent some time with its demo back in March and was immediately drawn in by the stellar sound design, because it really completes the creepy, futuristic world Chris Bischoff has created.

In the latest video update, we’re given a painfully brief preview of Morgan’s soundtrack for Stasis. According to Bischoff, with the score, “the idea was to have a strong melody base around a lullaby.”

“Instead of focusing on scene based music, we’re using the score to accentuate John’s emotions. HOPE, FEAR, TERROR: these are the central themes for the music of Stasis.” Now I suggest you set aside four minutes, turn off the lights, get a pair of headphones and really soak it up.

YTSub

Gamer, writer, terrible dancer, longtime toast enthusiast. Legend has it Adam was born with a controller in one hand and the Kraken's left eye in the other. Legends are often wrong.

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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