Comics
Comic Book Review: “Spread” #5 Is All About Hope
“Spread” #5 looks to be a transitional issue. Everything you need to know in terms of commentary or criticism can be read in Justin Jordan’s own words in the backmatter of this issue.
WRITTEN BY: Justin Jordan
ART BY: Kyle Strahm
PUBLISHER: Image Comics
PRICE: $2.99
RELEASE: January 21, 2014
Reviewed by Nick Brehmer
Beginning in the previous issue and, as Jordan explains, issue #5 is the convergence of multiple story arcs and character interests. No, Molly, and baby Hope are on the run but they’re caught between a rock, a hard place, and a bunch of mutants. Jack’s there looking to keep the peace in his own, messed up way; Ravello and No continue to violently engage in their relatively unspoken tension; the Preacher is hunting for Hope while Molly plays keep-away. The moment of convergence happens when Molly encourages baby Hope to unleash her Spread-wrecking up-chuck and the baby’s miraculous secret is revealed to all. Suddenly, Hope, small and vulnerable as she is, is wanted by all – to be used, to be destroyed, and to be kept safe.
Not much is revealed to the readers in this issue. Narrator Hope provides an adequate play-by-play of the events, but it does at times feel forced and obvious for the sake of continuity and consistency, which is understandable. In this issue’s backmatter, Jordan states, “What you don’t want to do is to use [narration] to tell you things that can and should be told in the art.” With that said, Jordan does well in his attempt to maintain a balance in issue #5.
As a transitional chapter with no revelations, the artwork really does carry it. Kyle Strahm and Felipe Sobreiro’s contributions to issue #5 are as crisp, vibrant, and disgusting as ever. The sequence where Molly uses Hope’s tears as hand-to-hand combat weapons is a particular favourite of mine.
Issue #5 is pretty much all action, which explains how short it feels when you get to the final few frames. With that said, again, as a transitional chapter, its fierceness and brevity add to the anticipation. Answers will come soon. They just gotta…
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A product of the harsh lands of Northern Ontario, Nick Brehmer is in fact a sensitive flower currently blooming in the GTA. He spends his downtime wishing he was British. Follow him on Twitter and Instagram @nicholasbrehmer
Comics
‘Curse of the Where Wolf’ Bites Into August Release With Trio of Werewolf Theatrical Screenings [Exclusive Preview]
Larry Chaney‘s hairy misadventures are continuing in the sequel graphic novel Curse of the Where Wolf from creative team Rob Saucedo, Debora Lancianese, and Jack Morelli, and its author is celebrating with a trio of horror’s greatest werewolf films.
The Curse of the Where Wolf hits shelves on August 7 from Encyclopocalypse Publications.
That coincides with the launch of a theatrical screening event in Houston, Texas, featuring a trio of seminal werewolf flicks turning 45 this year: The Howling on August 7, Wolfen on August 14, and An American Werewolf in London on August 21.
Each screening features a “werewolf in film” presentation as well as a book signing from Where Wolf author and River Oaks Theatre artistic director Rob Saucedo.
In the new graphic novel, “Being a werewolf sucks. Reporter Larry Chaney wanted to be a hero. Instead, he became a werewolf. Now, caught between incredible new powers and a desire to eat everything (and everyone) in sight, Larry must find a cure for his curse. Or die trying.”
“With Where Wolf, I wanted to tell a whodunit set in a furry convention, so the story was pretty contained within a very specific setting and genre. With Curse of the Where Wolf, I wanted to celebrate everything I love about the possibility of comic books. Curse of the Where Wolf is a funny book, in every sense of the phrase, but it’s also an earnest look at a person’s struggle to become a better version of themselves, especially when the alternative is to become a literal monster,” Saucedo says of Curse.
The original graphic novel was previously serialized as the first webcomic hosted on Fangoria before being collected by Encyclopocalypse Publications in 2023 and has already been optioned for film, podcast, and television development ahead of launch by producers James Fino (“The Freak Brothers” for Tubi, “Rick and Morty” for Adult Swim) and Charles Horak (First Date for Magnolia Pictures).
Expect Larry to find himself in even weirder situations in the 362-page full color sequel; Saucedo has provided Bloody Disgusting with exclusive art pages from the upcoming graphic novel that showcase lupine humor.
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