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XLrator’s ‘Pandemic’ Comes At You In First Person
Completely ripping off Russian filmmaker Ilya Naishuller’s Hardcore and “Bad Motherf-cker”! music video, Content Media acquired international sales rights to the sci-fi action/thriller Pandemic starring Rachel Nichols (Star Trek, G.I. Joe: The Rise of Cobra, Continuum), Mekhi Phifer (Insurgent, Divergent, 8 Mile), Missi Pyle (The Artist, Gone Girl, Big Fish), Alfie Allen (John Wick, Atonement, Game of Thrones), Danielle Rose Russell (A Walk Among the Tombstones), Paul Guilfoyle (L.A. Confidential, Air Force One, CSI: Crime Scene Investigation) and Pat Healy (Rescue Dawn, Magnolia).
Directed by John Suits (The Scribbler), Pandemic features non-stop action from a first person shooter perspective (FPS), putting the audience in the middle of every fight whilst feeling in control of every punch thrown and shot fired. You can see how this works by watch the aforementioned videos by Naishuller.
“Pandemic” is set in the near future, where a virus of epic proportions has overtaken the planet. There are more infected than uninfected, and humanity is losing its grip on survival. Its only hope is finding a cure and keeping the infected contained. Lauren (Rachel Nichols) is a doctor, who, after the fall of New York, comes to Los Angeles to lead the charge in the hunt for uninfected civilian survivors.
Lauren’s objective is simple – lead her team into the field and rescue survivors. Lauren and her team: Gunner (tactical command), Denise (navigation), and Wheeler (driver), put on their anti-contamination suits, complete with cameras so their experiences can be used for research, and leave the compound. But nothing could have prepared them for the mayhem they are about to walk into.
Gabriel Cowan (400 Days, Bad Milo) produced the film with Suits through their New Artists Alliance (NAA) banner with XLrator Media, which will also distribute the film in North America as the second film in its three-picture deal with NAA.
We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.
Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.
Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.
Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.
“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”
Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.
From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.
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