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One Way Static Opens Up ‘Martin’ Vinyl Pre-Orders
Update: This vinyl is coming out via Ship To Shore Phonograph Co. One Way Static is assisting with distribution. More about Ship to Shore Phonograph Co. can be found here.
One Way Static has opened up pre-orders for the soundtrack to George A. Romero’s vampire shocker Martin, which was composed by Donald Rubinstein. The vinyl will not be shipped until the end of May but there are limited variants, so make sure you place your order here.
The soundtrack was once named “…one of the top 100 coolest soundtracks of all time” by MOJO Magazine. This will be the first time it’s available on vinyl since its release in 1978.
Roy Frumkes, producer of Street Trash and director of Document of the Dead, states:
Donald Rubinstein contributes a haunting, melancholy score punctuated with sudden, passionate riffs. It is the perfect accompaniment to this tale of lost souls in a barren, nearly post-apocalyptic environment.
Head below for the artwork (done by Brandon Schaefer) as well as the full track listing and different variant details.
> 500 on Marble “Blood” Red Vinyl (This edition/variant has been exclusively made for One Way Static & Light In The Attic Records and is only available through our online stores).
> 500 on “Transylvanian Flashback” Black & White Swirl Vinyl (available only through the official Ship To Shore PhonoCo webstore).
> 1000 on 180 gram black vinyl for retail.
TRACK LISTING
A1. The Calling / Main Title
A2. Train Attack
A3. Phased
A4. Tat Cuda’s House
A5. Martin At The Butcher Shop
A6. Antique Chase With Villagers
A7. Garlic Chase #6
A8. Martin Goes To The City
A9. Christina Leaves
A10. Halloween
A11. Modern Vamp
B1. Chant
B2. The Calling (Reprise)
B3. Braddock / Chase
B4. Back To Me
B5. Crawling Sequence
B6. Martin Martin Martin
B7. Marie – Interlude
B8. Evocation
B9. Fly By Night
B10. Exorcism / Classical Funk
B11. Stake, Well Done!
We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.
Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.
Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.
Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.
“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”
Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.
From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.
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