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‘The Evil Within’ Keeper Cosplay Needs Something to Bludgeon
It’s been awhile since I last featured awesome horror cosplay here, so I thought I might fix that with some stellar The Evil Within cosplay from Inuki, a fan and avid cosplayer who decided he’d tackle one of the game’s more unforgettable monsters — the Keeper.
It’s sufficiently intimidating, even if it makes me wonder if the favorite part of the Keeper’s day is when he gets to come home and take that box off his head. It must get heavy.
You can find more of Inuki’s work, much of it horror-themed, on Facebook and Tumblr. The game’s first expansion, The Assignment, arrives March 10.
We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.
Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.
Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.
Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.
“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”
Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.
From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.
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