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UK ‘Clown’ Trailer Looks Tremendously Fun! Produced By Eli Roth!

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These are the moment I celebrate and appreciate horror auteur Eli Roth, who has directed a slew of successful genre film including Cabin Fever, Hostel and The Green Inferno. Using his name as power, he’s helped independent filmmakers achieve their dream, no matter how whacky of a vision they may have.

Proof is in Clown, stemmed from a faux trailer by Jon Watts about a man who puts on an old clown costume, only to transform into a demon clown that eats children.

Premiering at FrightFest Glasgow 2015 and coming to DVD & Blu-ray in the UK March 2, 2015, we now have a new international trailer that boasts tons of new footage that really puts the genre on its head. Clown looks to carry heavy homage to It, American Werewolf In London and even various vampire films. It’s a goofy premise that takes itself dead serious, which makes it not only suspenseful but also fun.

While this isn’t some Hollywood wide release, I expect Clown to be even more entertaining than Stitches.

“It’s Jack’s 10th birthday, but the clown has cancelled. His dad, Kent, finds an old clown suit in the attic and saves the party. But after the party is over, Kent has a problem… the suit won’t come off. What starts as a joke quickly turns into a hellish nightmare. Kent can feel himself changing, and his desperate attempts to free himself just leave him in agonising pain.

As the suit takes hold of his body, Kent slowly endures a brutal transformation. As he changes, an uncontrollable hunger begins to consume him, an overwhelming and insatiable hunger… for children.”

Peter Stormare, Laura Allen, Christian DiStefano, Elizabeth Whitmere, Matthew Stefiuk, and Andy Powers star.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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