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Sleep Paralysis Doc ‘The Nightmare’ Gets Release Date!

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From documentarian Rodney Ascher (Room 237), The Nightmare uses cinematic recreations to explore the terrifying phenomena of sleep paralysis, a condition in which people regain consciousness after being asleep but are unable to move or cry out. Typically these states are accompanied by horrifying noises and visions of something menacing in the room. It’s a shitty experience to have (I had them about twice a year up until five or so years ago) and Ascher’s approach to examining the topic sounds truly scary and inventive.

Before its screening later today at SXSW, Gravitas Ventures has announced they will be releasing The Nightmare in North America in select theaters and VOD on June 5. Having experienced sleep paralysis and the shadow man at the foot of the bed (the worst), I’m really excited to see this doc. From the press release:

THE NIGHTMARE’S subjects hail from different backgrounds and walks of life, but share eerily similar visions of malevolent, near-human beings that grow increasingly aggressive the longer the sleep paralysis recurs. Are these just random hallucinations or something more? Rational explanations get challenged by the similarities of the “shadow people” multiple subjects describe looming over them. Ascher, who has first hand knowledge of sleep paralysis, brings the full intensity of this experience to the screen while maintaining empathy and respect for his subjects. As the film unfolds, distinctions between the documentary and horror genres fade as do easy lines between reality and the imagination.
 
THE NIGHTMARE was produced by Campfire’s Ross M. Dinerstein and Zipper Brothers Films’ Glen Zipper, co-produced by Tim Kirk and executive production by Content’s Jamie Carmichael, Preferred’s Kevin Iwashina and Ralph Zipper.

Patrick writes stuff about stuff for Bloody and Collider. His fiction has appeared in ThugLit, Shotgun Honey, Flash Fiction Magazine, and your mother's will. He'll have a ginger ale, thanks.

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The Disturbing Practical Effects Behind the Cyclops Feast in ‘The Odyssey’

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The Odyssey practical effects

In a recent interview, filmmaker Christopher Nolan explained that he’s always been interested in directing a bona fide horror movie, with the award-winning director going so far as to praise genre creators for their continued risk-taking on the big screen.

If you’ve seen Nolan’s recently released The Odyssey, you’re likely aware that a scary movie helmed by the legendary director could be a very good idea.

After all, Nolan insisted on making use of old-fashioned movie magic and in-camera practical effects when shooting his adaptation of Homer’s epic. This retro approach made Odysseus’ encounters with mythological beings such as the giant cyclops that much more terrifying. By now, fans are undoubtedly aware that the massive creature was partially brought to life by an enormous puppet enhanced with near-invisible CGI, but there were also plenty of forced perspective shots where actor Bill Irwin actually chomped on disturbingly realistic replicas of Ithican soldiers.

As you can see in the below behind-the-scenes test footage shared by the Los Angeles-based Hamer FX, Irwin was given an assortment of latex dolls filled with fake blood and breakable skeletons that he could tear apart on camera. The darkness of Polyphemus’ cave covers up most of the gore in the finished film, but the moment remains a terrifying highlight in a movie that has a lot to say about the horrors of war.

Nolan actually requested these tiny edible soldiers for the flick because his vision for the iconic cyclops encounter was partially inspired by Francisco Goya’s disturbing mural of Saturn Devouring His Son. This mysterious piece is actually one of the artist’s infamous “Black Paintings,” which were found painted directly onto the walls of his old house near Madrid before a French baron ordered that the collection be transferred to canvas and assigned names for public viewing.

Details like these are what make me think that Nolan could pull off a genuinely scary horror picture if he came across the right idea. That being said, between the Fear Gas sequences in Batman Begins and Circe using body horror magic to transform men into pigs in The Odyssey, one might argue that he’s been preparing for such a task throughout his entire career.

The Odyssey is currently playing in theaters everywhere, though it’s definitely worth seeking out an IMAX screening if you can find one near you.

 

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