Quantcast
Connect with us

News

Vampire Mythology Caused By Disease?!

Published

on

While there are many things associated with vampire lore, an interesting new article at the Liberty Voice supposes that the mythology behind vampires may not have come only from the excitable minds of Middle Age peasants. Instead, writes the site, a rare genetic disorder called porphyria might have started the tales, according to biochemist Dr. David H. Dolphin of the University of British Columbia and other scientists.

“Porphyria is a rare group of at least eight blood disorders. A patient is diagnosed with porphyria if any of the eight different enzymes that create porphyrin, a body chemical which transforms into heme (another chemical the body needs) when in contact with iron, are affected. A patient lacking in any one of the eight enzymes is not able to produce heme, which is responsible for items such as cell differentiation and protein synthesis. In people with porphyria, the build-up of unprocessed porphyrin and the overall lack of heme is what leads to the onset of symptoms. These can include severe, non-diagnosable stomach pain; additional discomfort in the chest, legs or back; vomiting; and diarrhea or constipation. A urine test is needed to provide a definitive diagnosis.

Porphyria is a chronic condition. There is no cure. However, symptoms can be managed. Porphyria flare-ups usually last a week or two, with symptoms decreasing as the attack draws to a close. The more care someone takes in managing their condition, the fewer flares they will likely experience.

Patients with this disease are highly sensitive to sunlight. Those who are able to go outside during the day must wear a high SPF sunscreen. Others must wait for cloudy days or nightfall to venture out. Therefore, many exhibit the paleness and nocturnal tendencies historically associated with vampires.

Bloodsucking behavior, which is typical of vampire myths, may have been a way for the porphyria patient to manage their disease. Today, a significant treatment is injecting man-made heme. In the Middle Ages, there was no way to create heme, so people were forced to drink blood.

This had an unintended side effect in some cases. The cause of porphyria is entirely genetic. People either acquire a disease-carrying gene from one of their parents or disease-carrying genes from both parents. Some people have what is called latent porphyria, in which they have the disease, but are not having symptoms. If someone with the latent form of porphyria allowed a relative to regularly blood-let them for the purposes of disease management, they were taking a great risk. Stress is one of the trigger mechanisms for a porphyria attack. Bloodletting is stressful to the body and might cause a person with latent porphyria to become a person with the active form.

This may explain why the myths incorporated the fact that if someone was bitten, they would also become a vampire. This was not a supernatural event; it was due to a change in disease status. This occurred, not because of dark forces, but due to an asymptomatic person having inflicted too much stress on their body. The person desired to help a family member, using the only treatment available. Neither party may have comprehended the risks involved.

So, while the mythos expanded over the years – invisible in mirrors, allergic to garlic, etc – it’s hypothesized that it could be originally from the above disease. And Vlad the Impaler, well, he could still be one of the reasons vampires became so feared throughout the ages.

dracula

Click to comment

News

‘Lockbox’ Review: An Underdeveloped Supernatural Mystery with Little Inside

Published

on

lockbox trailer, lockbox review

Let’s start with the good news. Lockbox looks far better than its misleading marketing materials suggest, a supernatural horror movie so darkly lit and color graded that you’ll have to squint your way through jump scares. It’s also anchored by reliable genre performers. That’s also about where the good news ends with this rote adaptation of Knifepoint Horror Podcast story “Winthrop.”

The empathetic Carla Gugino gives her all as Ellen, a saint of a woman with boundless patience who takes on life’s hard luck with a kind smile. After giving up her career as a fashion designer to become caretaker for a dying mother, she’s then forced to reinvent herself once more when her caretaker role ends. That catches us up to the events of Lockbox, where Ellen is asked to take in a cousin she hasn’t seen in quite some time who’s dealing with severe PTSD.

Just as Ellen finally establishes a real connection with Winthrop (Lou Taylor Pucci), it’s interrupted by the arrival of peculiar neighbor Vahna (Katharine Isabelle), who spells clear trouble. When Vahna shows up dead, it sets in motion a supernatural battle of possession.

Image Credit: Aura entertainment

Director Daniel Stamm (The Last Exorcism, Prey for the Devil) and screenwriter Justin Yoffe approach Lockbox in the broadest of brushstrokes, dooming it from the start with clunky storytelling and woefully underdeveloped themes of heady topics like PTSD. Winthrop is a character that comes loaded with emotional baggage and trauma that’s piled on throughout his tragic life, but much like its title, his interiority and history are treated like a tightly guarded secret meant to prolong the supernatural mystery.

The problem here, though, is that Lockbox is too sparse to sustain mystery at all, and it instead robs Winthrop of characterization. It winds up trapping the talented Pucci without anywhere to go, toggling between wounded animal and mentally disoriented. 

From there, Lockbox bounds through plot developments without any sense of stakes or purpose, peppered by a smattering of haphazard paint-by-numbers jump scares. The only unwavering constant is Ellen’s resolute faith, and Stamm seems to leave it entirely to Gugino to guide confused audiences through this inconsequential story right up until its supernatural climax.

Image Credit: Aura entertainment

To give more credit, Lockbox at least injects an unconventional exorcism here; just don’t expect much in the way of explanation. When the film finally reveals the meaning behind its title, it dangles a fascinating carrot it has zero interest in delivering. More than a severe lack of fleshing out its characters beyond plot drivers or devices, this faith-based flick also seems terrified to offer any worldbuilding whatsoever. 

Yoffe’s script stretches the short story beyond its means instead of fleshing it out, and Stamm fills out the gaps with cheap CGI scares and overwrought performances; Isabelle’s Vahna is beyond cartoonish in her villainy. It’s also pretty nonsensical, treating only Ellen’s faith with the utmost sincerity and largely squandering its typically reliable talent. So much so that the final imagery, pure sunkissed saccharine sentimentality, leaves you with the feeling that this horror movie might be better suited as an entry in Chicken Soup for the Soul

Lockbox releases in select theaters on July 3, 2026.

2 skulls out of 5

Continue Reading