Movies
[Review] ‘Patchwork’ Sews Horror and Comedy Together
I know that I’m not the first horror junkie to have done a literary analysis of Mary Shelley’s Frankenstein in university. I’m also not the first to point out the irony of Mary Shelley writing a novel that’s weak on female characters. So it stands to reason that someone would eventually come along and take the Frankenstein concept and present it with stronger-developed female characters in the principle roles. Tyler MacIntyre’s Patchwork attempts to remedy that with its gory comedic tale of female revenge. The film has made stops at Screamfest, and more recently, the Toronto After Dark Film Fest, and is most definitely not Frankenhooker.
After a lacklustre birthday bash at a bar, Jennifer (Tory Stolper) is attacked in her home. When she awakens, Jennifer discovers that she has been patched together with the bodies of two other women: party girl Ellie (Tracey Fairaway) and shy girl Madeleine (Maria Blasucci). The three women share the same consciousness, as well as the same desire for revenge. Retracing their steps, the women go on a rampage of revenge to find the scientist responsible for their predicament.
It’s obvious from the synopsis that this is one kooky film. From the get-go, despite Stolper being in the driver’s seat for the actual “body” (with some great makeup effects by Kourtney Kuroki to complete the look), we’re treated to all three women doing a well-executed inner dialogue. Blasucci, Fairway and Stolper do a great job of building on the initial setups of their characters and give them the needed development, as each share their own flaws (Jennifer is self-centred to the point of turning people off, Ellie parties and gets loaded with whomever will by her a drink, and Madeline’s anxiety stops her from meeting new people). The film also brandishes some great comedy. Once in a while, the shot shifts to a person’s perspective within the film, and we see firsthand the creature talking to itself, arguing or answering it’s own questions. There’s some great physical acting and comedy by Stolper, akin to Bruce Campbell’s fight with his hand in Evil Dead 2 (though nowhere near as slapstick). In a somewhat disorienting move, certain shots will shift to a shot of all three women being in the same scene, interacting with each other. It takes a while to get used to, but it just adds another unique perspective to the “three people in the same body” mechanic.
The film’s plot is revealed in eight chapters, which shift between the present amalgamated creature’s journey, and flashing back to the individual women for their backstories. Admittedly, these moments are a bit abrupt and threaten to interrupt the flow of the story, but it’s not that big of a deal. Again, the actors do a great job of drawing you in and developing their characters. Credit to MacIntyre and Lee Hill’s script, which also puts in a tragic element that is along similar lines of what Frankenstein’s Monster experiences in longing for a companion (I know it’s a stretch). Early on in the film, the ladies hold onto hope that their predicament can be reversed, and that they can all go back to their former lives. However, it becomes apparent that it won’t be the case. Instead, we go on the revenge tweak that continues the ridiculousness, which is far more enjoyable.
The film doesn’t have much in terms of missteps. Other than the previously-mentioned story interruptions, the film could’ve been more gorier in the revenge aspect than what we got in the final film. Granted, there are some brutal moments, but perhaps I’m expecting more slapstick again. Also, there’s one effect regarding an amalgamated cat that while appropriately cheesy, definitely sticks out as being pretty bad compared to the excellent makeup. A nod to Re-Animator‘s cat, perhaps?
Patchwork was definitely a treat. The acting by the three ladies is superb, as was the overall story. The humour hit home more often than not, and the makeup effects were excellent. While the sadist in me wishes that it was a little gorier, there’s still plenty of brutality here being doled out by the creature. Tyler MacIntyre has taken the Frankenstein tale and tweaked it, giving us something new and fun. Definitely check it out.
Movies
‘Attack of the Killer Tomatoes: Organic Intelligence’ Poster Announces August Release Date
The killer tomatoes are back in Attack of the Killer Tomatoes: Organic Intelligence, and the offiical poster for the brand new movie has been unleashed tonight.
Additionally, we’ve learned that the film’s theatrical release is set for this August, with a panel set for San Diego Comic-Con this month featuring the world premiere of the trailer.
While you wait, check out the official poster down below.
Attack of the Killer Tomatoes: Organic Intelligence will be released in select cities across the US beginning August 7th in major cities such as Los Angeles, New York, Chicago, San Diego, and others, and expanding to further locations throughout the month.
The fifth installment in the horror-comedy franchise pits the eternal power of nature against AI’s best and brightest.
In Attack of the Killer Tomatoes: Organic Intelligence, a young biotech prodigy develops a revolutionary genetically engineered vegetable designed to solve humanity’s problems. But when the experiment spirals out of control, it unleashes a new generation of killer tomatoes, setting the stage for another outrageous chapter in the long-running cult franchise.
Attack of the Killer Tomatoes co-creators Costa Dillon and J. Stephen Peace return to write and executive produce. David Ferino directs.
The film features an ensemble cast led by franchise icon John Astin (The Addams Family), reprising his role as Professor Gangreen, comedy legend David Koechner (Anchorman), Academy Award nominee Eric Roberts (The Dark Knight), horror favorite Catherine Corcoran (Terrifier), comedy veteran Dan Bakkedahl (Veep), Myrna Velasco (Star Wars Resistance), Vernée Watson (Shrinking, Fresh Prince of Bel-Air), and Paul Bates (Coming to America).
Attack of the Killer Tomatoes launched in 1979, followed by 1988’s Return of the Killer Tomatoes, 1991’s Killer Tomatoes Strike Back, and 1992’s Killer Tomatoes Eat France.
The franchise also spawned an animated series in 1990.

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