Movies
Suburbia Goes to Hell in ‘Satanic Panic’
Ted Geoghegan has set his follow-up to his critical and commercial horror hit We Are Still Here, pictured, directing Satanic Panic for Dark Sky Films and Snowfort Pictures.
“Satanic Panic centers on a minimum-wage delivery girl who is forced into a night-long battle with the rich and affluent leaders of a suburban community after discovering they’re part of a satanic cult. Casting will begin soon.”
The original screenplay is being written by Grady Hendrix, whose recent best-selling novel “Horrorstör” is in development at Fox Television with “Gossip Girl” creator Josh Schwartz.
“Equal parts supernatural horror and survival thriller, the film hinges on smart, funny dialogue and a clever, surprisingly badass female hero,” explains Geoghegan. “A snarky, splattery takedown of the 1%, it places a trod-upon heroine up against the literally soulless societal upper crust. The banter and blood come fast and furious, and we’re hoping to leave very little time to breathe between gasps and gags.”
Movies
‘Brine’ – Jennifer Holland Starring in Supernatural Civil War Thriller
Jennifer Holland (“Peacemaker”) and Dave Annable (“Lioness”) will lead the cast of upcoming supernatural Civil War thriller Brine, Deadline reports this afternoon.
B.J. Golnick (“Hunting Hitler”) will be directing Brine.
Brine follows a family of Confederate deserters who escape the Union bombardment of Fort Pulaski with a cache of stolen gold and disappear into the Georgia marshlands.
When they take refuge in a remote plantation house, what first appears to be salvation slowly reveals itself as part of something ancient, predatory and impossible to escape.
Jonah Wharton (Lioness), Sissy Sheridan (Chicken Girls), and Grayson Lay (Outer Banks) also star. The screenplay was written by B.J. Golnick and Jeremy Miller.
“Brine is a story about survival, but it is also a story about inheritance…The violence we pass down, the myths we create to justify it, and the cost of trying to break free,” Golnick previews.
“We intend for the film to feel intimate, historically grounded and deeply unnerving, as if the supernatural elements weren’t invented, but unearthed from the marsh itself.”
