Movies
David Cronenberg’s ‘Rabid’ Is Getting Remade As a Film and Television Series
David Cronenberg’s early entry into body horror, Rabid, is set to be remade with Jen and Sylvia Soska attached to direct, Variety reports.
John Vidette’s Somerville House Releasing has entered into a joint venture with Paul Lalonde and Michael Walker to produce a feature film and original TV series based on the 1977 Canadian horror film.
Rabid starred Marilyn Chambers in a film that “explored the world of experimental plastic surgery with Chambers playing a woman injured in a motorcycle accident who underwent a surgical operation and developed a stinger that she uses to feed on people’s blood — triggering an outbreak of a rabies-like epidemic that turned its victims into bloodthirsty zombies.“
The Soskas, who are identical twin sisters from British Columbia, directed American Mary, Dead Hooker in a Trunk and See No Evil 2.
“The work of David Cronenberg is legendary and Rabid is much more than just a horror movie,” the Soskas said. “The real message of his film is powerful, and even more pivotal as we look at the world around us today. It’s an honor to be involved in this love letter to his original, which we handle with the same respect as Paul Schrader’s Cat People, Alexandre Aja’s The Hills Have Eyes and John Carpenter’s The Thing.”
Rabid was one of Cronenberg’s first films. He followed it with Fast Company, Scanners, The Brood, Videodrome, The Dead Zone and even The Fly.
Filming will take place in the summer in Canada.
Movies
‘Herbert West: Reanimator’ First Look Introduces Contemporary H.P. Lovecraft Reimagining
A contemporary reimagining of H.P. Lovecraft’s short story Herbert West: Reanimator is on the way, and Deadline has unveiled the first look at the new Herbert West and the pathologist drawn to his orbit.
The original screenplay and storyline come from Jade Sandberg Wallis.
Michael Grossman (“The Originals”, “Pretty Little Liars”) directs.
The new images introduce star Joseph Morgan (“Vampire Diaries“), who plays “brilliant surgeon and scientist Herbert West, who is obsessed with creating a serum to reanimate the dead.” Katie Cassidy (Speed Demon) stars opposite as the pathologist with a troubled past who joins his efforts.
Together, they prove that conquering death may be the ultimate sin against life itself.
The film’s official synopsis: “As a child, Herbert West watches his father Peter reanimate his dead mother Judith in a secret basement lab — only for Judith to mortally wound Peter and nearly kill Herbert before Peter shoots her. The trauma leaves its mark on Herbert, but so does one final image: his mother’s finger, twitching after death. Thirty years later, Herbert West is a brilliant, secretive surgeon still chasing his father’s obsession.
“Pathologist Kate Locke arrives in town and is drawn into his orbit — first through a spark at a hospital fundraiser, then through his secret lab, where he reveals a serum capable of reanimating severed tissue. Kate, hiding a dark past of her own, is thrilled rather than horrified, and moves into West’s mansion to work alongside him. Their early experiments on a cadaver succeed only briefly. West concludes that dead tissue is the problem — they need something fresher.”
Supporting cast includes Scott Aiello, Ira J Amyx, Randall Newsome, Emma Reinagal, James D. Bryce, Kathryn A Bentley, Jack Lancaster, Amy Holland Pennell, John Pierson, Mindy Shaw, Eric Dean White, Tristan Wilder Hallet, Adrienne Lamping, Aaron Crippen, and Drew Patterson.
Makeup artist Jeff Lewis (“Star Trek: Voyager,” “Star Trek: Enterprise”) and cousin Roger Lewis are heading the production via their newly established Woodlake Entertainment.
Lovecraft’s short story, first serialized in Home Brew magazine in 1922, is the first among his works to mention the fictional Miskatonic University. It was most famously adapted into a 1985 horror movie from Stuart Gordon, starring Jeffrey Combs as Herbert West.
Herbert West: Reanimator is set in Alton, Illinois, where production is now underway.

Herbert West: Reanimator. Photo credit: Matt Lief Anderson

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