News
Breaking: CW’s “Friday the 13th” is Dead
Rarely is it reported that a project is straight up dead, but news out of the ongoing TCA is that the CW “Friday the 13th” project is just that.
Friday the 13th/Crystal Lake series is dead. #TCA16
— Linda Ge (@lindazge) August 11, 2016
Back in April it was reported that CW had already axed the project, while in July it was explained that CW had put the project on hold with plans to revisit next April. In the same report it was explained that the show could potentially move to other networks, including larger streaming services.
So, unless you’re a huge advocate of CW, this could be good news. I would much rather see Jason and the Voorhees family on Amazon, Hulu, Netflix or any other cable channel that’s not CW or MTV.
The Friday the 13th series adaptation was being developed by Steve Mitchell and Craig Van Sickle, creators of the 1996 NBC series “The Pretender” through CBS TV Studios.
The project originated when Emmett/Furla/Oasis Films and Crystal Lake Entertainment sealed a deal to produce a new hourlong dramatic series based upon the characters and settings of the franchise, with Sean S. Cunningham, who helmed the 1980 original, executive producing along with EFO Films principals Randall Emmett & George Furla and Mark Canton, among others.
Bill Basso (Terminator) and Jordu Schell (Avatar) were tapped at the time to script a storyline that re-imagines Jason in multiple time periods. Details on the remake are sketchy but the idea had been to do a contemporary series focusing on the eclectic characters of Crystal Lake who are forced to confront the return of the killer, as new secrets about his wacky family are revealed. The masked Jason is being reimagined with a stronger feel of grounded reality.
“She’s mine, and I’m hers.”
The prison movie is a cornerstone of the cinematic landscape. Often adjacent to horror, there’s something inherently horrific about a building full of “convicts” jockeying for power. Criminal masterminds and the wrongfully convicted alike become pawns in a dehumanizing system and struggle to stay alive in the restrictive environment. Claire Denis pushes this genre to its outer limits with sci-fi and horror elements comparing incarceration to the prison of the human body. Her 2018 film High Life follows a group of prisoners turned astronauts who struggle to retain their humanity after the world has cast them out.
When we first meet Monte (Robert Pattinson), he’s raising a toddler on an isolated space station in the galaxy’s outer reaches. His daughter Willow was conceived through assault by fellow inmate Dr. Dibs (Juliette Binoche) as a part of her mission to reproduce in space. As Denis unpacks the story of this troubled crew, they slowly realize they have been discarded and forgotten. Some find freedom to enact their violent agendas while others try to retain a semblance of normalcy in the extreme environment. Essentially guinea pigs, Monte and his crewmates hurtle through space and grope for a reason to keep existing.
The Lady Killers continue Killer Moms Month with Claire Denis’ beautifully complex film. Co-hosts Jenn Adams, Mae Shults, Rocco T. Thompson, and Sammie Kuykendall chart the mysteries of the cosmos in their quest to understand the glacial plot. They’ll chat about screaming babies, space gardens, black holes and spaghetti along with heavier themes like reproduction and bodily autonomy. Why is Dr. Dibbs so obsessed with pregnancy? Why doesn’t Monte partake of the sex box? Does Mia Goth actually have a big booty and what really happened on that spaceship filled with dogs? They’ll approach the black hole and try to withstand spaghettification while zeroing in on the unpleasant themes of this exceptional film.
Stream below and subscribe now via Apple Podcasts and Spotify for future episodes that drop every Thursday.
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