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Former Showrunner Talks “Ash vs Evil Dead” Season 2 Finale That Almost Was
Were you satisfied with this past Sunday night’s finale?
In the second season finale of Starz’ “Ash vs. Evil Dead,” Ash slayed Henrietta back in the ’80s, kicked Baal’s ass all over the cabin, and successfully prevented his young self from ever reading the Necronomicon in the first place. He was also able to bring departed pal Pablo back to life, and the finale ended with Ash finally being celebrated as a hero in the town of Elk Grove.
He almost even got his hand back. Almost.
From what I’m seeing on social media, many fans were left unsatisfied by the finale, some feeling that it was a bit too serious in comparison to the show’s usual tone. Others were bummed that young Ash never came face-to-face with old Ash, which seemed to be something we were going to see. Who else was disappointed by the finale? The show’s recently departed showrunner.
Speaking with A.V. Club, Craig DiGregorio just held nothing back in regards to this thoughts on the Season 2 finale and the current direction of the show. As it turns out, creative differences were the reason for him stepping down; he wanted the show to be as funny and wacky as possible, but producer Rob Tapert often disagreed. And those differences changed the finale big time.
Explains DiGregorio:
The season finale wasn’t what I wanted at all. This is the first time where I actually thought that the creative push-and-pull adversely affected the final product and I think it really shows. We could usually hide some of the tonal push-and-pull underneath fun dialogue, or underneath fun story points, or underneath fun visuals. It’s a show that goes so fast and it’s paced so quickly that you may not notice some of the things that bug me the most, but it was always there. Again, I fault nobody for wanting to make a great show, it just became very difficult.
What was the original vision for the Season 2 finale? DiGregorio digs deep:
Here’s what I remember. Basically, Ash kills Henrietta, gets the book, and runs outside with it. So, we got out of the cabin quickly, and that’s when Ruby and Kelly return. Inside, young Ash has entered but the book is gone, so he never reads it in this timeline. At that moment, the trunk rattles, Pablo’s in there, and he’s okay.
So, now they have the book and they have Pablo. Ash decides Ruby and Kelly are going to destroy the book. Meanwhile, Ash and Pablo head into town because Ash secretly wants to see his present-day deceased father Brock one last time before they go back to the present—remember that in 203 Brock starts to reveal a big “secret,” we wanted Ash to want to get to the bottom of this. So, Ash and Pablo go to the bar, Kelly and Ruby go to the woods to destroy the book. In the woods, Ruby runs into 1982 Ruby and makes that same sort of plea to her, the “your life is going to be different, you don’t have to do this.” But 1982 Ruby thinks that her future self has gone completely soft, kills Ruby, but then Kelly holds her own against 1982 Ruby, grabs the book, and runs with it. 1982 Ruby chases her because she wants to bring her husband and kids back and she didn’t listen to her future self.
Meanwhile, at the bar, Ash doesn’t see his dad, but does see a nice young lady, who seems very sad because she just got passed over for a teacher position. She’s distraught, and Ash, having learned a lot about how you can fail and come back from it, starts talking to her very genuinely in the charming Bruce way. They end up drinking together and go in a bathroom stall to have some early-’80s unprotected sex. What you don’t realize is that the woman Ash is having sex with is Kelly’s future mother [a young Suzy Maxwell]. So, what happens is that Kelly, while running in the woods, all of a sudden feels her entire being change and drops the book. That’s when 1982 Ruby catches up and realizes what just happened. She looks through the Necronomicon and sees Ash’s picture, and then next to it, a picture of Kelly starts to appear. Because of the unprotected bathroom stall incident, Kelly has become Ash’s daughter.
At that point, Pablo rushes into the bar, says there’s something wrong because the skies are going dark now that 1982 Ruby has the book, and they’re starting to summon things back. They go get Kelly, who’s somehow pissed at Ash, even though she doesn’t really know what happened, and while they don’t have the book, they have Pablo and use him to jump back to present day. When they get back, Ruby is standing there with Baal and her kids and they take Kelly away. Apologies, I really ran through a bunch there in about two sentences. But basically, we were setting up a season three where Ash had to go rescue his daughter… Kelly.
Yes, the original plan was that Kelly would end up being Ash’s daughter, which DiGregorio notes was hinted at in little ways throughout the second season. It was the plan for the season all along, but it of course never came to fruition. Bummer, because that could’ve been a whole lot of fun.
Be sure to read the full A.V. Club interview for much more insight from DiGregorio.
We are now one full month into Spring 2024, which kicked off on Tuesday, March 19 and comes to an end with the start of Summer on Thursday, June 20. This year’s summer movie season has a whole bunch of exciting horror highlights, including A Quiet Place: Day One, MaXXXine, and Alien: Romulus, but let’s hold that particular thought until June rolls around.
We’re here today to talk about Spring 2024 and the many horrors we still have left before the weather gets warmer and we find ourselves in the heat of one hell of a spooky summer.
Here are 12 horror movies you don’t want to miss in Spring 2024!
STING – April 12
Two words: SPIDER HORROR. Writer/Director Kiah Roache-Turner (Wyrmwood) hopes to induce eight-legged terror with his brand new horror movie Sting, only in theaters April 12.
Of particular note, Sting features practical spider effects from 5-time Academy Award Winner Weta Workshop, with the spider in this one inspired by H.R. Giger’s Xenomorph!
In Sting, “One cold, stormy night in New York City, a mysterious object falls from the sky and smashes through the window of a rundown apartment building. It is an egg, and from this egg emerges a strange little spider. The creature is discovered by Charlotte, a rebellious 12-year-old girl obsessed with comic books. Keeping it as a secret pet, she names it Sting.
“But as Charlotte’s fascination with Sting increases, so does its size. Growing at a monstrous rate, Sting’s appetite for blood becomes insatiable.”
BLACKOUT – APRIL 12
Indie darling Larry Fessenden is back with new horror movie Blackout this Spring, Fessenden’s third movie – following Habit and Depraved – to put his own spin on classic monsters.
While Habit was centered on vampires and Depraved was a fresh take on Frankenstein’s Monster, Larry Fessenden’s Blackout is the filmmaker’s contribution to werewolf cinema.
The film follows Charley, an artist whose drinking binges blur with his sneaking suspicion that he might be a werewolf. He distances himself from those he loves and sinks deeper into solitude, his flashes of memory of his nighttime grisly acts manifested through his artwork.
ARCADIAN – APRIL 12
If Nicolas Cage is covered in blood, you better believe we’re going to be watching. Cage gets his own A Quiet Place with Arcadian, a new creature feature coming to theaters April 12.
In Arcadian, which also comes to Shudder later this year, “After a catastrophic event depopulates the world, a father (Nicolas Cage) and his two sons must survive their dystopian environment while being threatened by mysterious creatures that emerge at night.”
Jaeden Martell (IT 2017) also stars in the post apocalyptic monster movie.
ABIGAIL – APRIL 19
If you’re bummed about Melissa Barrera being fired from the Scream franchise, you’ll definitely want to get out to your local theater this month to support Abigail, the new VAMPIRE BALLERINA horror movie from Scream and Scream VI directors Radio Silence.
Barrera stars alongside fellow horror favorite Kathryn Newton (Freaky) in Abigail, which is actually the latest horror movie in Universal’s relaunched Universal Monsters Universe.
In the film, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
LATE NIGHT WITH THE DEVIL – APRIL 19
One of the most talked about horror movies of Spring 2024 has been the Halloween 1977-set Late Night With the Devil, which has been playing in theaters since its premiere on March 22.
Late Night with the Devil will begin streaming at home on April 19, 2024, less than one month after arriving in theaters. Shudder will be the exclusive streaming home of the movie.
David Dastmalchian (Dune, The Suicide Squad) stars as the host of a late-night talk show that descends into a nightmare in Late Night with the Devil, set on Halloween 1977.
In the found footage-style film that captures a period aesthetic, “A live television broadcast in 1977 goes horribly wrong, unleashing evil into the nation’s living rooms.”
INFESTED – APRIL 26
Spring 2024 is all about SPIDERS – sorry, arachnophobes! – with the previously mentioned Sting being followed by the French creature feature Infested (Vermines) later this month.
What’s particularly exciting about Infested is that its director, Sébastien Vaniček, has been hired to direct the next installment in the Evil Dead film franchise, so this will be our first taste of what Vaniček is capable of within the genre. And the buzz for this one is strong.
In his review out of Fantastic Fest last year, for starters, Bloody Disgusting’s own critic Trace Thurman raved that Infested is “one of the best spider attack movies in years.”
In the upcoming horror film, “Fascinated by exotic animals, Kaleb finds a venomous spider in a shop and brings it back to his apartment. It only takes a moment for the spider to escape and reproduce, turning the whole building into a dreadful web trap.”
HUMANE – APRIL 26
The daughter of horror master David Cronenberg, Caitlin Cronenberg is making her own mark in the genre filmmaking space with IFC Films’ Humane, coming to theaters this month.
The film is described as “a dystopian satire taking place over a single day, months after a global ecological collapse has forced world leaders to reduce the earth’s population.”
The wild premise? 20% of the world’s population must VOLUNTEER TO DIE!
“In a wealthy enclave, a recently retired newsman has invited his grown children to dinner to announce his intentions to enlist in the nation’s new euthanasia program. But when the father’s plan goes horribly awry, tensions flare and chaos erupts among his children.”
I SAW THE TV GLOW – MAY 3
Fresh off the haunting and singularly creepy indie We’re All Going to the World’s Fair, Jane Schoenbrun is back with A24‘s I Saw the TV Glow, releasing only in theaters this May.
Meagan Navarro wrote in her Sundance review for BD, “I Saw the TV Glow offers a layered and authentic portrait of identity, wrapped in ’90s nostalgia and surreal imagery that embeds itself deep into your psyche.” Meagan continues, “Schoenbrun delivers a singular vision of arthouse horror that entrances for its fevered dream style and insanely cool imagery.”
In A24’s latest, “Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.”
TAROT – MAY 3
Originally titled Horrorscope, a much better title if you’re asking me, Screen Gems returns to the big screen with studio horror movie Tarot this Spring, a Tarot-card themed spookshow.
When a group of friends recklessly violates the sacred rule of Tarot readings – never use someone else’s deck – they unknowingly unleash an unspeakable evil trapped within the cursed cards in the upcoming Screen Gems horror movie Tarot. One by one, they come face to face with fate and end up in a race against death to escape the future foretold in their readings.
The hook for this one? Artist Trevor Henderson designed the film’s eight monsters!
THE STRANGERS: CHAPTER 1 – MAY 17
Bryan Bertino’s 2008 home invasion classic The Strangers spawns a brand new reboot trilogy this year, with first film The Strangers: Chapter 1 kicking things off in theaters on May 17.
The Strangers: Chapter 2 is expected to follow in Fall 2024.
Madelaine Petsch is the lead of the new reboot trilogy, playing a character who drives cross-country with her longtime boyfriend to begin a new life in the Pacific Northwest.
When their car breaks down in Venus, Oregon, they’re forced to spend the night in a secluded Airbnb, where they are terrorized from dusk till dawn by three masked strangers.
IN A VIOLENT NATURE – MAY 31
Slasher fans who have been hungry for a new Friday the 13th movie won’t want to miss In a Violent Nature, which plays out like a Friday movie… entirely from Jason’s perspective!
IFC Films will release In a Violent Nature exclusively in theaters on May 31.
In the film, “When a locket is removed from a collapsed fire tower in the woods that entombs the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 60-year old crime, his body is resurrected and becomes hellbent on retrieving it. The undead golem hones in on the group of vacationing teens responsible for the theft and proceeds to methodically slaughter them one by one in his mission to get it back – along with anyone in his way.”
Meagan Navarro wrote in her Sundance review for Bloody Disgusting, “In a Violent Nature may offer slasher thrills and a delightfully gory rampage across the wilderness, but the approach captures the carnage through ambient realism. It results in a fascinating arthouse horror experiment that plays more like a minimalist slice-of-life feature with a grim twist.”
THE WATCHERS – JUNE 14
M. Night Shyamalan returns with the new thriller Trap this coming August, but the road to that film’s release will be paved by the feature debut of his daughter, Ishana Night Shyamalan.
Ishana Night directed The Watchers, in theaters from WB/New Line on June 14.
The film follows Mina, a 28-year-old artist, who gets stranded in an expansive, untouched forest in western Ireland. When Mina finds shelter, she unknowingly becomes trapped alongside three strangers who are watched and stalked by mysterious creatures each night.
Which Spring 2024 horror movies are YOU most looking forward to?
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