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Anya Taylor-Joy is Fast Becoming a Modern Horror Icon

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Prior to last February, I had never heard the name Anya Taylor-Joy. Of course, that all changed when I bought a ticket to see The Witch. I had found a new favorite actress.

Most horror fans (myself included) consider Robert Eggers’ The Witch to be one of the best horror movies released last year; and if you feel that way, you’ll surely agree with me that Anya Taylor-Joy’s performance as the young Thomasin is one of the most unforgettable aspects of it. In her review of the film here on Bloody Disgusting, Kalyn Corrigan praised Taylor-Joy’s performance in the film, writing that she was “spectacular as the sweet, innocent child who grows tainted when the harshness of colonial times drives her family mad.” She added, “As her purity is defiled, the light in her eyes grows wicked and dangerously playful, lending to the thought that perhaps all her family’s accusations towards her might hold some legitimacy.”

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Indeed, the nuance of Taylor-Joy’s performance in The Witch is perhaps the most impressive thing about the film; doubly so when you consider that it was the young actress’s very first major role on screen. She had previously made an uncredited appearance in 2014’s Vampire Academy, as well as in one episode of the TV series “Endeavour,” but it wasn’t until the role of Thomasin came along that the Florida-born actress was introduced to the masses. Her performance has been touted as one of the best breakouts of the entire year, and you won’t find me disagreeing.

In fact, she nabbed several awards in that very category.

Suddenly, it seemed that Anya Taylor-Joy was everywhere, particularly here in the horror genre. She starred as the title character in last year’s sci-film Morgan, and thought I haven’t yet seen the film for myself, I wasn’t surprised to see Jonathan Barkan describe her acting in it as “fantastic,” in his review for this very site. He added that she “embraced the role and demonstrated a wonderful approach to a character who is adult in sight but a child mentally.”

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Not that we need a reason, but the reason we’re bringing up Anya Taylor-Joy today is because she’s starring in M. Night Shyamalan’s Split, out in theaters this weekend. She plays Casey Cooke, a strange girl who isn’t exactly like her peers. As it turns out, her particular brand of weird makes her uniquely qualified to deal with the situation she and her “friends” end up in (they’re kidnapped by James McAvoy’s villain and locked up in a basement), and as Casey, Taylor-Joy is a horror heroine worth rooting for and admiring. As Trace Thurman noted in his Fantastic Fest review of Split, “she isn’t given enough material to truly shine,” which may be true, but Taylor-Joy’s incredible talents and otherworldly beauty ensure Casey is a character you can’t take your eyes off of.

What’s next for Anya Taylor-Joy? She’ll be starring in Sergio G. Sanchez’s thriller Marrowbone later this year, and per a recent interview with Cinema Blend, she doesn’t plan on leaving the horror genre behind anytime soon. She explained to the site why she loves the genre:

As an actor, it is such a pleasure to work in horror movies, or in anything that allows you to feel that intensity of feeling. I have way too many feelings, and it’s really nice to go somewhere, scream, break stuff, run around, cry. At the end of the day I go home and I’m so relaxed. I’m like ‘Ok, and I’m done.’

Please do continue screaming, breaking stuff and kicking ass. We look forward to it.

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Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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