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[Exclusive] Effects Artists Jason Baker and Tom Savini Are Making WWE Cool Again

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If you’re a wrestling fan, you probably watched WWE SmackDown Live last Tuesday night. After six months on the shelf due to an injury, Wyatt Family member Erick Rowan made his return on the brand’s latest episode, reaffirming that his allegiance lies with Bray Wyatt. The bearded Rowan, known for wearing a creepy sheep mask, debuted a brand new iteration of the mask on the night of his return – one of the coolest/scariest masks to ever appear on WWE programming.

What you may not have realized is that Tom Savini had a hand in designing it.

Savini, a longtime wrestling fan (he was recently spotted in the crowd during an episode of SmackDown), began working with WWE back in 2011, and he more recently brought friend and fellow makeup artist Jason Baker along for the ride. Being a huge wrestling fan myself, I reached out to Baker for some insight into what it’s like fusing the worlds of horror and pro wrestling.

Baker explained that his work with WWE began in 2014. WrestleMania 30 was approaching, and Tom Savini needed a hand designing one of the night’s most important costumes.

It’s all because of Tom Savini,” Baker recalled. “Tom and Gino Crognale created the ‘Skull King’ crown and armor for HHH’s entrance for Wrestlemania 28 in 2011. Two years later, HHH called Tom again for a new crown for Wrestlemania 30. Gino was in Atlanta working on The Walking Dead for KNB EFX, so Tom called me up, asked for my help, and the rest is history.”

From there, it became something of a WrestleMania tradition for Savini and Baker to partner up and together bring a little horror magic to the annual sports entertainment spectacle.

Tom and I made HHH’s crown for WrestleMania 30 and 31 – 31’s crown was a collaboration with Lemur Media,” Baker explained. “[We also made] Stephanie McMahon’s ‘Skull Queen’ masquerade mask for 32 and the ‘faceless army’ mask for HHH’s entrance for 32, which was sculpted by Jason Adams. Tom, Jason and I just finished a new mask for Kalisto that he premiered last weekend at WrestleMania 33Tom is the brainchild. Everything goes through him. We all collaborate to make the best thing possible.”

With their horror backgrounds, Savini and Baker proved to be a natural fit with Erick Rowan, allowing their work to be regularly showcased on WWE programming. Rowan’s masks have evolved since he debuted back in 2013, and the duo has been behind them all.

We’ve made all of Erick Rowan’s masks,” Baker told me. “I hadn’t watched wrestling in almost 20 years. So when Erick Rowan contacted us, I had to look him up. But once I did, I was very excited. Rowan is such a unique character, and getting the privilege to help add something to that was a dream come true. Now, I enjoy [wrestling] again.”

You may recall that Rowan’s recent return was teased with a series of horror movie-esque promo videos that hit social media. As it turns out, Baker himself directed those creepy trailers.

I’ve done two sets of promos with him so far,” Baker explained to me. “[They were] produced by Andy Westfall and Mark Yancey was our D.P.  Those were an absolute blast! Erick Rowan has such a presence and he knows horror and what he wants to get across on film. So again, several people aiming towards the same goal.”

Working with the WWE has been an absolute honor,” Baker added. “Everyone from their corporate headquarters in Stamford, CT to the wrestlers to the traveling staff have been nothing but kind and amazing to work with. They’ve treated Tom and I with nothing but absolute respect and admiration. Tom and I have built some great friendships. So whenever [the wrestlers] come to Pittsburgh, Tom invites them over to the studio to see the monsters or whatever we’re currently working on. Tom is such a blast to work with and so are the wrestlers. They’re very passionate about what they want and we’re very passionate about giving them more than they expected.

Whoever needs whatever done, we’re ready to accommodate them.”

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Exclusives

‘Dancing Village: The Curse Begins’ – Exclusive Clip and Images Begin a Gruesome Indonesian Nightmare

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Indonesian filmmaker Kimo Stamboel (MacabreHeadshot, The Queen of Black Magic) is back in the director’s chair for MD Pictures’ Badarawuhi Di Desa Penari (aka Dancing Village: The Curse Begins), a prequel to the Indonesian box office hit KKN Curse Of The Dancing Village. Lionsgate brings the film to U.S. theaters on April 26.

While you wait, whet your appetite for gruesome horror with a gnarly exclusive clip from Dancing Village: The Curse Begins below, along with a gallery of bloody exclusive images.

In the horror prequel, “A shaman instructs Mila to return a mystical bracelet, the Kawaturih, to the ‘Dancing Village,’ a remote site on the easternmost tip of Java Island. Joined by her cousin, Yuda, and his friends Jito and Arya, Mila arrives on the island only to discover that the village elder has passed away, and that the new guardian, Mbah Buyut, isn’t present.

“Various strange and eerie events occur while awaiting Mbah Buyut’s return, including Mila being visited by Badarawuhi, a mysterious, mythical being who rules the village. When she decides to return the Kawaturih without the help of Mgah Buyut, Mila threatens the village’s safety, and she must join a ritual to select the new ‘Dawuh,’ a cursed soul forced to dance for the rest of her life.”

Kimo Stamboel directs from a screenplay by Lele Laila.

Aulia Sarah, Maudy Effrosina, Jourdy Pranata, Moh. Iqbal Sulaiman, Ardit Erwandha, Claresta Taufan, Diding Boneng, Aming Sugandhi, Dinda Kanyadewi, Pipien Putri, Maryam Supraba, Bimasena, Putri Permata, Baiq Vania Estiningtyas Sagita, and Baiq Nathania Elvaretta star.

KKN Curse Of The Dancing Village was the highest grossing film in Indonesian box office history when initially released in 2022. Its prequel is the first film made for IMAX ever produced in Southeast Asia and in 2024, it will be one of only five films made for IMAX productions worldwide. Manoj Punjabi produces the upcoming Indonesian horror prequel.

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