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Future “Channel Zero” Stories to Include “Staircases” and “Hidden Door”

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The second season of Syfy’s “Channel Zero” isn’t premiering until this coming October, but the series has already been renewed for third and fourth seasons. The third season is scheduled to air in 2018 and will be titled “Staircases”.

Brandon Scott (Blair Witch) and Holland Roden (“Teen Wolf”) were the first to join the cast, with Scott playing Officer Luke Vanczyk, a young but already jaded cop, living in the shadow of his father, the Chief of Police. Luke’s world-weary exterior hides a fierce commitment to justice, and a deep love for his troubled community.

Roden will play Zoe Woods, a sharp, tough young woman whose struggles with mental illness have worn her down over the years. She hates that her younger sister, Alice, has to take care of her and she’d give anything to go back to the way things used to be.

Other brief news includes that the fourth season will be based on the “Hidden Door” Creepypasta “I Found a Hidden Door in My Cellar.”

Meanwhile, second season “Channel Zero: No-End House” is inspired by Brian Russell’s Creepypasta, telling the story of a young woman named Margot Sleator, played by Amy Forsyth, who visits the No-End House: a bizarre house of horrors that consists of a series of increasingly disturbing rooms. When she returns home, Margot realizes that everything has changed.

Nick Antosca returns as executive producer, showrunner and writer for the second installment of “Channel Zero,” alongside executive producer Max Landis. Steven Piet directed all six episodes. Harley Peyton (“Twin Peaks”) is writer-co-executive producer, while Don Mancini (“Hannibal”, creator of Child’s Play) also serves as a writer-supervising producer.

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George A. Romero Foundation Founder Suzanne Desrocher-Romero Has Passed Away

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Suzanne Desroches-Romero and George A. Romero

All of us here at Bloody Disgusting are deeply saddened to learn that George A. Romero Foundation Founder and President Suzanne Desrocher-Romero has passed away.

GARF shared in a statement on socials, “It is with a heavy heart that we announce the passing of Suzanne Desrocher Romero. Suzanne passed away of natural causes on June 24 at her home in Toronto after a prolonged illness.”

The statement continues, “Suzanne was the fierce leader of the George A. Romero Estate and The George A. Romero Foundation. She worked tirelessly to preserve George’s legacy. Her work at the foundation will continue to inspire and live on for generations to come. The family asks for privacy at this time.”

Desrocher-Romero founded GARF in 2018, after her late husband’s passing in 2017, and has been a fierce advocate for his legacy and the arts. It was her mission to “strengthen horror as a serious field of global study,” and she was a tremendous fighter on behalf of Romero’s works and supporting new filmmakers inspired by his legacy.

It was Desrocher-Romero who spearheaded the recovery and restoration of The Amusement Park, and, as the person in charge of the George A. Romero estate, worked closely with author Daniel Kraus on completing unfinished novels like Pay the Piper and The Living Dead. She most recently celebrated the restoration of her favorite of Romero’s zombie films, Day of the Dead, and was hard at work producing the upcoming film Twilight of the Dead.

That passionate advocacy led to Suzanne Desrocher-Romero becoming family to Bloody Disgusting as well.

2023 marked the start of an ongoing partnership between Bloody FM and GARF on The Dead, a scripted audio series spanning multiple seasons that saw Desrocher-Romero working closely with the Bloody FM team and mentoring the series’s contributing writers with GARF. To say her loss will be felt internally is an understatement. 

“Anytime George Romero is mentioned is good, because what we are doing is to provide a healthy legacy. We’re uplifting his legacy, we’re supporting the archive, and we’re also supporting the Horror Study Center. So, all of these three things are what the Foundation is striving to do. As far as I’m concerned, the more we say George Romero’s name, the better it is,” Desrocher-Romero recently told BD. 

It’s the perfect encapsulation of her unwavering enthusiasm for supporting Romero’s legacy and the horror genre, and just a glimpse at how much she contributed to preserving it. She is, in short, an inspiration.

We send our deepest condolences to Suzanne Desrocher-Romero’s family, friends, and GARF.

 

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