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Review: ‘Choker’ Issue #1

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If there is one thing to be said about Ben Templesmith (’30 Days of Night’) it’s that he knows how to pick projects. He is one of the most sought after names in the business right now so it is interesting that he is so picky about what he puts his name on, and doesn’t do like many have and just take on 15 separate projects at once so he can cash in on his own success. So this is why it never goes unnoticed when Ben decides to fully illustrate an entire series like he has chosen to do with Ben McCool’s ‘CHOKER’. However, if the first issue is any sort of indicator of what we are to expect from the series, then it might just be the writing that makes this one stand out. Read on for the review.

The story of ‘CHOKER’ centers around a private investigator named Johnny Jackson who is at his wits end. He works in the polluted, run down, crime infested (infested is a word you could use in many ways to describe the city) metropolis that is Shotgun City taking on small private disputes and over charging for his services. Oddly enough his choice of life style is not fulfilling him, and nothing really has since losing his job on the police force three years, four months, and thirteen days ago. But that all could change as on this particular night Johnny is given an offer he can’t refuse. Receiving a phone call while he is at his local dive, Johnny is asked to return to the station and meet with the man who took away his job, and as a result, his life. The Chief of Police will give Johnny back his precious job-for life. The only condition is that he hunts down and returns the man the police lost a month ago: a drug dealer named Hunt Cassidy. Johnny accepts, but there is more to the case than catching an escaped con. Shotgun City is full of more than just drug dealers, rapists, and murderers. In fact those might prove to be the least of Johnny’s problems.

The thing that stands out most about ‘CHOKER’ is the excellent pacing of Ben McCool. The story starts with an fantastic scene that reveals an unnamed woman chained inside of a basement and being taunted by her captor. From there we are thrown headfirst into the world of Johnny Jackson and the oddities that inhabit Shotgun City. While the main focus of the issue is Johnny and his life we are also treated to just the right amount of foreshadowing of other plotpoints that should prove more important down the road. Just what is up with all the deformed humans sporting multiple heads? Why are all the police on the force hulking brutes hopped up on some super drug? And what about those crazy, drug dealing vampires partying it up at the local dance club? None of these things are explained, yet they play themselves out in the background of the panels like they are normal occurrences adding an extra depth to each page. This only lends to the story making the read much smoother and polished. The finished product being something that plays out more like a well directed episode of ‘CSI’ than a comic book.

As far as the art Templesmith is on top of his game as always. In fact I might even go as far as to say that some of his best art to date are in the pages of ‘CHOKER’ issue #1. The panels are all dark and gritty, but don’t suffer the same fate as some of his past work by being swallowed up under all the darkness to the point where it is hard to understand what you’re looking at. Everything is well detailed and presented in a very avant-gard fashion that matches itself perfectly to the other Ben’s story. The inks are just as well planned as the rest, and the pages that introduce readers to the streets of Shotgun City are certainly a high point for this aspect of the book giving readers a fantastic look at the world that these characters are living in.

When all is done and read ‘CHOKER’ is a fantastic story that only does itself a further service by leaving much to the readers’ imagination and pushing forward without stopping to explain everything it is showing you. And as long as those details are explained eventually then I say bravo for the effort. But I gotta ask: what’s up with the dog wearing the Cyclops visor?

4 Out of 5 Skulls

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WRITTEN BY: BEN MCCOOL
ILLUSTRATED BY: BEN TEMPLESMITH

‘CHOKER’ Issue #2 Hits Store Shelves March 24th! (MSRP-$3.99)

Comics

‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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