Connect with us

Podcasts

The Intersection of Stephen King’s ‘The Dark Tower’ and Frank Herbert’s ‘Dune’ [The Losers’ Club Podcast]

Warning: There are spoilers for both series.

Published

on

Dune x The Dark Tower

Deserts. Sandworms. Spices. The world of Frank Herbert’s Dune is a world both wonderful and strange. For Constant Readers of Stephen King, it’s a realm that’s not too dissimilar from the Master of Horror’s own fantasy epic: The Dark Tower series. Both universes are as complex as they are mercurial — seemingly unattainable and yet deliciously inviting.

That’s about as perfect a lead-in we can design for this very special crossover episode of The Losers’ Club. Today, Losers Justin Gerber and Dan Caffrey welcome co-hosts Henry Zebrowski and Holden McNeely of LPN Deep Dives: Dune for what can best be described as a frenetic and unpredictable chat surrounding the two authors and their two respective worlds.

Together, they discuss Herbert’s vision of Dune as a Utopian novel, its box office potential (or possible lack thereof) when Denis Villenueve’s adaptation hits theaters later this year, how it’s more complex than a lot of other well-known sci-if/fantasy epics, how it dispels the hero narrative, and, naturally, where it intersects and diverts from The Dark Tower series.

Stream the full episode below and be sure to join the Club over long days and pleasant nights via iTunes/Apple Podcasts, Stitcher, Spotify, RadioPublic, Acast, Google Podcasts, and RSS.

Facebook | Instagram | Twitter | Patreon

Podcasts

Sweeney Todd’s Bloody Path from Old Timey ‘Zine to the Screen [Guide to the Unknown]

Published

on

Maybe you haven’t thought about your good friend Sweeney Todd in a while, or maybe you have. The 2007 movie is a bit of a memory, though a fond one – it has a healthy 86% on Rotten Tomatoes, for what it’s worth. But 2023’s Broadway revival starring Josh Groban, who your mom thinks is “so talented” (she’s right!), was enough of a hit that its run was extended.

It appears we’re in a bit of a Sweeneyssaince.

For the uninitiated, Sweeney Todd is the story of a barber who kills his customers and disposes of the bodies by passing them off to pie shop owner Mrs. Lovett, who uses them as a special ingredient. But there’s more below the trap door.

Sweeney Todd isn’t just a late 70s musical that turned into a movie; it started as a penny dreadful called The String of Pearls: A Domestic Romance (author unknown), told week-to-week in the 1840s. Penny dreadfuls were essentially fiction zines featuring serialized stories that were usually horror-based and cost a penny, leading to the very literal nickname.

The String of Pearls differs from the more well-known Sweeney Todd plot in that it follows the investigation of a missing persons case that leads to the reveal of Sweeney and Mrs. Lovett’s arrangement, as opposed to the more modern iteration which treats audiences to the duo hatching their homicidal plan and then giving the worst haircuts ever. What a delightfully wild reveal that must have been if you were a reader in Victorian London after weeks of wondering what had become of the missing sailor carrying a string of pearls to deliver to a lovely girl.

Kristen and Will discuss the history and future of Sweeney Todd and works inspired by it this week on Guide to the Unknown. Subscribe on Apple PodcastsSpotify, or wherever you get your podcasts to get a new episode every Friday.

Continue Reading